Sonoran Credenza by FDP Collection

A Grey Suede mirror manufactured for The Line - a stunning piece that effortlessly combines sleek design with luxurious materials.

Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/model: Mid-Century Modern Specs: Black walnut, Claro walnut veneer, brass Condition: This Lawren...

Canvas credenza by Phaedo Dimensions: W 72" x D 18" x H 30" inches Materials: natural black walnut Madder dyed side-panels Osage dyed drawer...

1536 in Ebony Makassar and caramel British sycamore in high gloss polyester with 2 large full extension file drawers and 2 lateral doors with 1 shelf in...

Original Credenzas from the Redesign Collection designed by Alessandro Guerriero for the Alchimia Group, 1990. Vintage furniture decorated with acrylic. Hand painted. Exhibited at the show "Alessandro Guerriero: al diavolo Alchimia!", Must, 2017 Lecce. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mind-set of architects. Visual Alphabets, Redesign, Trivial Design, cosmetics and sentimental robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Designer: Laura Trenchard Manufacturer: Craft Associates Modern Furniture Period/Model: Mid-Century Modern Specs: Maple, teak Dimensions H 30.25 (76.84cm) L 78 (198.12cm) D 18 (45...

Broached monsters by Trent Jansen. The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian...