1930s Art Deco Design Dressing Table

1960s Italian design black wooden and raspberry color nubuck chest of drawers composed of black wooden structure, nubuck half-moon shape handles, 3 drawers and chrome edging finish. ...

Mirrored and gilded metal finish with powdery pink fabric large chest of drawers.

Commode Regency Loupe of Amboine and mahogany, handles of drawings to valets, very beautiful marble, thick, in beak of Corbin. Rich trim. In very good condition.

Gilded metal and white lacquer wooden with agate handles and glass tray large chest of drawers.

Gilded metal and white lacquer wooden with agate handles and glass tray chest of drawers.

Bookend n the purest Art Deco style, pair of metal birds set on a marble pedestal.

1930s Art Deco Brazilian rosewood chest designed by Gilbert Rohde. Amazing quality and design, slightly bowed front design, five drawers behin...

1930s Art Deco Brazilian rosewood six-drawer dresser designed by Gilbert Rohde,, Amazing quality and design, slightly bowed front design. Features six generous size drawers with simp...

For those with a more refined taste in quality we are pleased to be able to offer you this Sycamore Art Deco dressing table attributed to Betty Joel. Beauti...

Venetian 1930s Art Deco mirrored dresser, commode, in walnut sanitized and polished to wax. Measures cm: H 98 x W 120 x D 50.

Art Deco dressing table. Source: Czechia (Czechoslovakia) Material: Cherry-tree Period: 1920-1929 Completely restored.    

Majestic and elegant chest of drawers by Osvaldo Borsani produced in the Varedo Atelier of his father Gaetano Borsani , original in every part, with bakelite handles, 1930s Art Deco chest of drawers, commode , in burl walnut with mirror, polished to wax. Excellent condition. Measures cm: D 53, W 120, H 100. mirror cm: W 90 H 75. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...