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Large Scale Mid-Century Modern Tall Dresser

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  • United Furniture Mid-Century Modern Tall Dresser
    By United Furniture Corporation
    Located in Fulton, CA
    A walnut tall drawer low (highboy) dresser by United Furniture Company, circa. 1950. Fine craftsmanship with solid oak interior woods and dovetail construction. Dust panels between drawers and center drawer glide...
    Category

    Mid-20th Century American Mid-Century Modern Dressers

    Materials

    Oak, Walnut

  • United Furniture Mid-Century Modern Low Dresser
    By United Furniture Corporation
    Located in Fulton, CA
    A walnut six drawer low dresser by United Furniture Company, circa. 1950. Fine craftsmanship with solid oak interior woods and dovetail construction. Dust panels between drawers and center drawer glide...
    Category

    Mid-20th Century American Mid-Century Modern Dressers

    Materials

    Oak, Walnut

  • Mid-Century Modern Long Low Dresser 12 Drawers
    Located in Fulton, CA
    An oversized low Mid-Century Modern walnut dresser with 12 drawers. Fine craftsmanship and materials. Solid oak interior wood with dovetail construct at front and back of drawers. Du...
    Category

    Mid-20th Century American Mid-Century Modern Dressers

    Materials

    Oak, Walnut

  • Large-Scale William Keith Landscape Painting "Harvest"
    By William Keith
    Located in Fulton, CA
    Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...
    Category

    Antique Late 19th Century American Barbizon School Paintings

    Materials

    Gesso, Canvas, Wood, Paint

  • Mid-Century Modern Blonde Credenza 1950's
    By Paul McCobb
    Located in Fulton, CA
    A 1950's Mid-Century Modern blonde credenza with cane door detail. Original condition with a beautiful glow to finish. Unique design in the manner of P...
    Category

    Mid-20th Century American Mid-Century Modern Credenzas

    Materials

    Maple, Wicker, Cane

  • Child's Lounge Chair Mid-Century Modern
    By Paul McCobb
    Located in Fulton, CA
    Charming child's swivel lounge chair made of iron and vinyl, circa 1950s.
    Category

    Mid-20th Century American Mid-Century Modern Children's Furniture

    Materials

    Iron

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