1950's Oak Secretaire
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1950's Oak Secretaire
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- Charles Spooner Arts & Crafts Oak secretaire Cabinet with Serpentine StretchersBy Charles SpoonerLocated in London, GBCharles Sydney Spooner, probably made by J H Brandt. A rare oak secretaire cabinet on stand, with quarter veneered panels to the doors and drawers with black and green diamond shaped handles. The doors open to reveal adjustable shelves. The sides and lower stand are all made from solid quarter sawn oak with beautiful figuring. The slightly graduated mouldings to the waist frame the tidy little writing area. Standing on squashed ball feet, united with serpentine entwined stretchers. This is an oak variation of the cabinet Charles Spooner exhibited at the Arts and Crafts Exhibition Society in 1910. One can see that both cabinets are essentially the same design, one with drawers one with a pull down writing area. Both have quartered veneered panels to the doors, the Mahogany one with applied moulded decoration to the doors. See : illustration below from : Arts and Crafts Furniture by John Andrews. See also : Charles Spooner Arts and Crafts Architect, page 209 illustration 10:28. : Fine Art Society for a Coromandel variation and Puritan Values : Important Furniture Page 1, for a larger four door lacquered panelled variation. Charles Spooner is noted as one of the most influential people and also credited as one of the fathers of the Arts and Crafts Movement. Born at St Mary's Hospital, Paddington (London), Spooner was the second of 5 children of Charles Spooner and Sarah Frances Trinder, who lived at Brook Green, Hammersmith. Spooner became an architect and an instructor of furniture design at the London County Council's Central School of Arts and Crafts. He was a pupil and then assistant of Sir A W Blomfield and in 1890 won the RIBA’s Soane Medallion (Proc RIBA). He specialised in smaller churches and houses turning out some beautiful and complete buildings. He was influenced by E W Godwin and contemporary American architects such as H H Richardson. He was a member of the Society and Protection of Ancient Buildings and the Art Workers Guild, he worked in the tradition of William Morris, teaching...Category
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