Emilio Lancia Large Sideboard in Walnut Wood Italian Manufacture 1930s

Torbecchia sideboard is entirely realized in solid veneered walnut wood, with two frontal hinging doors, two drawers, and a storage unit under the openable top part. The signature o...

Sheraton sideboard in black lacquered ash wood, with a glossy finish, laminated and glass shelves, designed by Giotto Stoppino and produced by Acerbis in 1977 ca. The sideboard pres...

Samarcanda or CS49 sideboard composed of two modules in black lacquered beech plywood and top in wood covered with black skai. This Samarcanda sideboards presents frontal drawers and doors revealing inner shelves. Designed by Vico Magistretti and produced by Poggi in 1970s Samarcanda is an easily stackable system of drawers and containers that can compose living-room furniture, chests of drawers, tables and desks. It is a system of self-standing drawers made of beech multi-layered plywood lacquered with polyurethane paint in black and white that can be freely stacked and combined. Licterature: R. Dulio, F. Marino, S.A. Poli, Il mondo di Poggi. L'officina del design e delle arti, Electa, Milano 2019, p. 129 Domus 1971, 497 Ludovico Magistretti was born in Milan on 6 October 1920. He went to Parini High School and in autumn 1939 enrolled in the Faculty of Architecture at the Royal Polytechnic in Milan. After 8 September 1943, to avoid being deported to Germany, he left Italy during his military service and moved to Switzerland, where he took some academic courses at the Champ Universitaire Italien in Lausanne, taught at the local university. During his stay in the Swiss city he met Ernesto Nathan Rogers, the founder of the BBPR firm who had taken refuge in Switzerland after racist laws were passed in Italy. This was a key encounter in Magistretti’s intellectual and professional development, since the architect from Trieste turned out to be his maestro. He returned to Milan in 1945, where he graduated in Architecture at the Polytechnic on 2 August. He then immediately began his career working with the architect Paolo Chessa at the firm owned and run by his father, who died prematurely that same year. Here, in his father’s small firm, he spent his entire career in partnership with Franco Montella. During reconstruction operations in Milan from 1949-59, Magistretti designed and constructed about 14 projects for INA-Casa in conjunction with other architects. He was involved with Mario Tedeschi in the joint project for the QT8 neighbourhood, designing houses for veterans from the African campaign and also Santa Maria Nascente Church. In 1946 he participated in the R.I.M.A. exhibition (Italian Assembly for Furniture Exhibitions), held at the Palazzo dell’Arte, designing some small almost self-made pieces of furniture and then, in 1947 and 1948, he took part together with Castiglioni, Zanuso, Gardella, Albini and others in the exhibitions organized by Fede Cheti, a furniture fabric maker, held at her own workshop. The young architect was involved in plenty of activities and came up with lots of new ideas and proposals in the 1950s. Over the following years he also designed a number of other important projects, including the Towers in piazzale Aquileia (1961-64), Bassetti House in Azzate (1960-62), Cassina House in Carimate (1964-65), and the house in via Conservatorio in Milan (1963-66). In 1956 he was one of the founding members of the ADI, Industrial Design Association, and during the same year he was a member of the panel of judges for the Golden Compass Award for the first time. His work as an architect was almost totally focused on the issue of housing and living from the 1960s onwards, as he developed his own extremely expressive idiom, which, even though it was heavily criticised at times, made a real impression on the architectural scene in Lombardy during that period, making him one of its leading figures. This is the context in which he took part in the CIAM Congress (International Modern Architecture Congress) held in Otterlo in the Netherlands in 1959, during which the Italians presented Velasca Tower designed by the BBPR, the Olivetti canteen designed by Ignazio Gardella, Arosio house designed by Vico Magistretti (1956-59), and the houses in Matera designed by Giancarlo De Carli...

Large vase in green ceramic designed by the Italian designer Gio Ponti and manufactured by Richard Ginori between the 1930s and the 1940s. In this piece, the ceramic was modeled with an elegant and raffinate, flared shape that makes it a perfect decorative vase. The manufacturer's brand is stamped under the base. The history of the Ginori Manufactory began in Doccia, just a stone's throw away from Florence, when in 1735 Marquis Carlo Andrea Ginori started a porcelain factory which was destined to become a worldwide icon of style. The eighteenth-century is a key century for the development of porcelain in Europe, in this period the first manufactures are born, fed by new styles and international trends. In stately homes, palaces and courtyards, the precious porcelain of the Doccia Manufactory is synonymous with elegance and refinement. The passage from the nineteenth, the century of reason to that of feeling marks a new chapter in the development of artistic taste and the manufacture of porcelain. Florence becomes the scene of a controversy between the academic supporters of the Beautiful ideal and the naturalists promulgators of the beautiful natural Since 1806 the direction of the Manifattura passed to Leopoldo Carlo Ginori Lisci who initiates a process of profound renewal. In 1986 The Manifattura expanded and the Richard Ginori Ceramic Company is born. The tradition of master craftsmen meets new technologies and the creations are perfected thanks to the use of new patents From 1923 to 1933 the artistic direction of the Manifattura was entrusted to Gio Ponti. The master is responsible for introducing highly innovative elements with sensitivity and respect for the taste for the ancient, and for the oriental culture. In 1925 at the Universal Exposition in Paris, the Manifattura and its artistic director were awarded the assignment to both of a Grand Prix. The Manufactory was renewed by relying on the experience of the greatest Italian designers of the time: Franco Albini, Franca Helg, Antonio Piva, Sergio Asti, Achille Castiglioni, Gabriele Devecchi, Candido Fior...

large and unique sideboard designed by Tomaso Buzzi and Emilio Lancia circa 1940 six doors with a key elegant and unique piece in set with a bookcase cabinet walnut, briar roo...

With the 2023 collection we introduce contemporary furniture in line with the current interior trends. Our artisan knowledge meets the point of view of the young designers from Cono ...

With the 2023 collection we introduce contemporary furniture in line with the current interior trends. Our artisan knowledge meets the point of view of the young designers from Cono ...

With the 2023 collection we introduce contemporary furniture in line with the current interior trends. Our artisan knowledge meets the point of view of the young designers from Cono ...