Renaissance Style Wardrobe

Pitchpin wardrobe in bamboo style, 1900 doll's house window panes with mirror on the front 50 cm high 28 cm wide 12 cm deep Additional information: S...

19th Baroque Louis XV Rococo style mirror cabinet in walnut with putti with 2 richly carved doors dimension height 265 cm for a width of 165 cm and depth of 55 cm. Part of a set including a wardrobe a bed a pair bedside tables...

Chateau furniture: Important blackened wooden cabinet in Renaissance style with twisted columns. Richly carved. Decor with heads of women and lion. French cabinetmaker work, 19th cen...

Bronze bust of a young girl from the Renaissance, late 19th century, illegible signature, altered patina, 30 cm high, 25 cm wide and 12 cm deep. Additional information: Material:...

Pouffe 1900 style covered with silk which must be replaced due to a burn. Dimension 45 x 45 cm height 46 cm.

1960 Murano style pendant chandelier with 10 lights. Dimension height 80 cm for a diameter of 65 cm. Additional information: Material: Bronze...

This stunning antique wooden wardrobe with two doors and two drawers is a true masterpiece. Crafted with meticulous attention to detail, this ...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

Antique Belgium Renaissance Jacobean figural carved oak large wardrobe cabinet. Item features figural carvings to door fronts, bun feet, mirror to ...

Custom made Scandinavian style wardrobe / food cupboard. Can be fitted with hanging rails or shelving. Can be made to your dimensions and paint colour. For reference, the interior i...

1890s Renaissance Revival cupboard wardrobe in carved walnut, with two internal mirror on doors by Dini & Puccini (Cascina - Tuscany) It can be used as a bookcase by adding internal ...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...