North American Candle Stands

Candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and accessories streamlines v...

Pair of custom Made Wire Art candlestick holders made of 8 sculptural wire pieces fixed to a black base with chrome holder along the top.

An American cherry spider leg tilt-top candle stand, early 19th century. top measures 17 by 22 inches 28 ¼ inches tall; 40 inches tall upright

Fine 19th Century Philadelphia type Tilt Candle Stand in glowing solid Cherry. The Table with particularly fine graining, elegantly turned support column, classic Birdcage support an...

A 20th Century Pedestal Mahogany and Leather Top Inset Candle Stand in great vintage condition. Measures 14.25" in diameter and stands 20" in height. Top is 13.25 " in diameter.

Vintage Shaker Style Spider Leg Candle Stand. Classic Shaker style tripod spider leg candle stand in beautiful, refined minimalist design. It ...

This vintage smoking table or candle stand appears to be custom made and one of a kind. The heavy steel shaft is thickly chrome plated and rests upon a faux rosewood base complemente...

A Georgian style round brandy stand / candle stand by Henkel Harris, of Winchester, Virginia, USA. Solid wild black cherry wood with round raised lip top, turned singular pedestal ba...

Lovely 19th century Birch candle stand with square top featuring decoratively carved corners. On vasiform tripod base.

Federal cherry, inlaid one drawer stand, first quarter 19th century likely Connecticut. The rectangular mahogany cross-banded and geometric inlaid top with birdseye maple, mahogany a...

An Early 20th Century Refinished Solid Mahogany Pedestal Tripod Pie Crust Candle Stand with Snake Feet. Measures 12" in diameter at the top, 16" wide and 16" deep at the bottom and ...

An Early 20th Century Refinished Solid Cherry Pedestal Tripod Candle Stand with Snake Feet. Measures 16" in diameter and stands 22" tall

Mid 20th Century Spider Tripod Mahogany and Tooled Leather Top Candle Stand. Measures 11" in width, 11" in depth and stands 21.75" tall. Great condition

Circular fixed top with umbrella shaped inlay of exotic woods. Turned support with tripod splayed legs.

Stepped Art Deco ceramic candelabra and matching sugar bowl with sterling silver overlay by Lenox. Candle opera: height: 6.5 in. width: 7.5 in. depth: ...

Late 20th Century Pedestal Walnut Candle Stand with Brass Tray Insert Measures 12.75" in diameter, and stands 18" tall.

An Early 20th Century refinished Mahogany galleries Pedestal candle stand with finely carved tripod snake feet. Measures 12" in diameter at the top. Base 14" wide by 14" deep.

An Early 20th Century refinished Mahogany galleries Pedestal candle stand with finely carved tripod snake feet. Measures 12" in diameter at the top, 20" tall. Base 13" wide by 13" deep.

1940s Mahogany Oval Tilt-Top Tripod Candle Stand or Side Table. Measures 21.75" in width, 15" in depth and stands 22" tall flat and 33" tall tilted.

An exquisite Columbia Manufacturing Genuine Mahogany with Inlay and Tooled Leather Candle Stand.

Hollywood Regency Gilt Metal Ornate and Glass Top Candle Stand or Plant Stand. Clean vintage condition. Measure 15" x 15" at the base, 12.25" in diameter at the top and stands 23.5" ...

A Cohasset Colonials Octogonal Pedestal Quadpod Maple Lamp Table By Hagerty in great vintage condition. Measures 13" in width, 13" in dpeth and stand...

A cute Mid-Century Baker Furniture Carved and stained Walnut Candle Stand. Very sturdy. Measures 10.5" in diameter and stands 21.5" tall.

Kittinger furniture mahogany candle stand or side table with Koronet Finish and tripod spider legs. Measures 15.75" in diameter and stands 25.75" tall. Base is 17"W x 17"D.

A midcentury Refinished Mahogany tiered round candle stands or Lamp Tables, side tables with tripod brass capped legs. Very sturdy. Great vintage condition. Measure 17.5" in diamete...

Arrebol Tibor diffuser by STUDIOROCA Dimensions: W 18 x D 18 x H 30.5 cm Materials: Volcanic rock, polished brass plated steel, glass. Includes 1 essential oil 20mL bottle. STUDIOROCA is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Baker furniture mahogany and tooled leather and stinciled top pedestal candle stand or side table with tripod snake feet. Measures 16" in diameter and stands 20.5" tall.

American Chippendale mahogany tilt top kettle stand with a circular molded dish top, rotating birdcage, original brass locking mechanism, carved bulbous urn ringed...

This ceramic candle holders are designed and hand-crafted in Brooklyn, NY by Ilona Golovina of Mugly.NYC, she uses a coil building technique to create these one of a kind pieces. Eac...

Southern furniture is orders of magnitude harder to locate and collect than examples from other regions, but if you are looking at this listing, pre...

19th century Candle Stand in original white over light blue/grey paint, with all-over crazed surface. Extensive decorative carvings on apron and pedestal base. Quebec, circa 1880.

Pair of Federal style mahogany candlestand by Kittinger, circa 1960s. Williamsburg Restoration Line. Features a rectangular top with ser...

An elegant mid-century Mahogany stinciled tooled leather top candle stand or side table. Petite size 13.5" in width, 16.5" in depth and stands 21" tall.

Early 19th Century Queen Anne New England tiger maple candlestand. Antique 19th century Queen Anne square tiger maple candlestand. The ogee edged square tray top is raised on a we...

1940s Vintage triangular heart shape two-tier mahogany side table or candle stand with cane shelf. Measures 18W x18D X 28H..

A pair of Hitchcock style tilt top Stenciled candle stands in very good vintage condition. The larger one measures 19"W x 15"D x 23.5"H. 33"H with tilted top The smaller table meas...

A rare Victorian Carved Mahogany mirrored stand or side table, Circa 1910s. Measures 16" in diameter at the top and stand 29.5" tall. ...

Candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and accessories streamlines v...

This vintage single mahogany plant stand was made circa 1920 by the Kaplan Furniture Company for the Beach Hill collect which is fully labeled and numbered. This company was founded ...

American cherry Hepplewhite tripod spider leg candle stand with an exceptionally figured curly maple veneered oval top. American, Connecticut Valley...

Monumental Credenza, Sideboard, Storage Cabinet by Maitland Smith Mid-Century Modern Design heavy solid crafted and made in the Philippines. Made out of tessellated stone over wood...

Large hand-cast candle holder for 2 candles. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast ce...

Federal simple classic tilt-top table, with turned column featuring 3 legs. Stunning piece for your farmhouse decor. True antique pieces that came out ...

American shaped tilt-top candle stand. The shaped top is hinged to a block on a pedestal centering on a reeded urn form supported by an arched tripod base. The legs have stop reeded leg caps and terminate in spade feet. Mahogany with American cherry top. This piece is attributed to John Meads based on its distinctive quality and Albany cabinetmaking characteristics, which drew style elements from both New York City and Boston. This uniquely regional variation was executed with a mastery of detail placing this piece as the product of an important Albany NY cabinet shop. The attribution was suggested by the Albany Institute. Meads was born 1777, immigrated to New York in 1792, and worked as apprentice to English Master...

3 Tier grass cloth hexagon burnt bamboo antique pedestal candle lamp table stand.

Tiger Maple Tripod table, top with chamfered corners also inlaid with mother of pearl, circles, hearts & triangles. Turned standard raised on down swept legs terminating in spade feet.

New England Federal tilt-top tripod table tiger maple, circa 1810 Beautiful American tripod tilt-top candle stand table. It was created during the Federal era...

This is a charming tripod side table with a rectangular marble top. The upper wood base depicts a carving frieze with oval medals adorned in the center by " fleurs de lis ". The uppe...

18th to 19th Century American curly maple tilt top candlestick table Handsome early American candlestick table Measures: 20" wide x 15" deep x 28" hig...

American Hepplewhite mahogany octagonal candle stand with center inlaid star, turned bulbous ringed pedestal, original locking mechanism, and resting on a tripod saber leg base with ...

Antique Folk Art twig stand with original red color upholstered top surrounded by hand carved edge. Note: Regional differences in humidity and climat...

In the style of Thomas Chippendale, a lovely American 18th century tilt-top table in mahogany that, historically, doubled as a candlestand. The square top is cut in curves at the cor...

A lovely Federal tilt-top table in cherrywood with tripod base that historically doubled as a candlestand. The candlestick could rest on the ledge provided when the tabletop was tilt...

A beautiful mix of feathered hardwoods with mortice and tenon construction.

Federal walnut tilt-top candlestand. The rectangular cut-corner top on vase and ring-turned support and tripod base of shaped legs.

Very interesting American cherry candle stand with exaggerated spider arched legs giving it a contemporary feel.

This is a highly desirable Philadelphia candle stand form. This candle stand has a dish top over a bird cage, suppressed ball pedestal and cabriole legs terminating in snake feet.

This American Queen Anne maple candle stand has a nicely patinated original amber finish, which is particularly pleasing in color, and is in unaltered condition. It is from new Engla...