19th Century English Walnut and Ormolu Mounted Centre Table

A bureau plat in the Louis XVI manner Constructed in mahogany, Carrara marble, and extensively dressed with fine ormolu mounts; of freestanding rectangular form, rising from field...

An Exhibition-Quality Burr Walnut and Marquetry Centre Table Designed by Richard Bridgens (1785-1846) The circular top characterised by a central quarter-veneered field of beauti...

A mid-19th century center table by Johnstone & Jeanes of London. Constructed in walnut, with detailed marquetry inlay work and brass and gilt highlights; rising from a castor shod tripartite knurled and scrolled cabriole legged base issuing turned, tapering and carved columns supporting the tilt-top platform; the circular top of finely figured Circassian walnut inlaid with floral arabesques. The lower rim having a bronze running pearl border. Stamped to the underside 'Johnstone and Jeanes...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

Constructed in walnut; rising from a quadripartite base, the cabriole and hipped legs with scrolled toes, and a central carved oblate pendant finial; the tapering and turned column, ...

An exhibition quality burr walnut and ormolu-mounted centre table with superb quartered veneered top. Attributed to Holland and Sons or Gillows.

A good quality Victorian burr walnut center table, having a marquetry inlaid top, above ornately carved walnut legs united by a central stret...

A very good quality 19th century Amboyna center table, with Wedgwood porcelain plaques depicting classical scenes, having parcel gilt decoration and ormolu mounts and raised on a fou...

An exhibition quality 19th century walnut and marquetry centre / breakfast table, the circular top having a decorative foliate carved edge, profusely inlaid with exotic specimen timb...

A very fine 19th century Satinwood centre table by Holland & Sons. The table is of finely figured Satinwood with a circular tilt-top above a baluster column with three S-scroll and l...

A 19th century marble topped mahogany and ormolu mounted centre table. It has distinctive Rococo Revival charecteristics being marble topped, made of mahogany, with ornate nature bas...