Mid-Century Faux Tusk Centre Table

A large and beautifully carved George II Style mahogany centre table, with Greek key frieze and a grey variegated faux marble top. It is carved on all four sides, so could be used as...

A large Spanish faux tusk and gilt bronze occasional table of good quality by Valenti.

A large English drum table in the Regency style, with a segmented flame mahogany top, and twelve drawers beneath, eight of which are blind. Beneath,...

An Italian Baroque heavily carved and distressed painted walnut centre table. With shell and acanthus detailing throughout, supporting a fine pietra dura marble top. The top in vario...

An unusual Italian mid-century, ebonized cherrywood centre table on raised articulated legs.

An Italian mid-century lithograph of striking colours, in an ebonised framed with marbled backing paper. Artist unknown.

This is a very stylish mid-century iron and faux stone centre table. The base is a heavy 19th century iron basket most likely from a farm...

A large centre table or dining table with tusk supports in white resin and gilt brass with circular glass top.

A fabulous table! Made in France in the late 1960s - The beautful later marble top is supported by horse's legs, with gilded hooves. Please take a look at all our pictures to see th...

A chic and stylish 1970s faux tusk center or occasional table manufactured by Spanish luxury brand Italo Valenti. Three mocha toned faux resin tusks tied and supported with gilded b...

A beautiful Italian dining table of fine Italian manufacture from the 1950s. The Italian dining table features wood grain and small special elements in the legs. The legs of the It...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...