Arizona Fossilised Wood Slice

Fossilised Wood Plinth

Exceptional mounted Quartz slice from Brazil. Mounted on a handmade steel base the piece can also be easily removed for use on other projects such as table furniture or wall mounting.

A freestanding A-grade quartz (rock crystal) point. The stunning natural composition of smaller clusters around the large central point makes this a real statement piece. One of the finest shelf sized crystal clusters we have ever held in our collection. About Since 1986 Dale Rogers...

Giant Mounted Gypsum Minerals Cluster from China

Giant Gypsum Crystal Cluster, China. The geologic mechanism that creates Lead and Silver provide the raw materials for crystals to form when oceans, rich in Calcium and Sulphate, go...

A large polished agate freeform. This freestanding Brazilian agate has two interesting dimensions to it: serene blue-grey bands on one face, dramatic wh...

Standing at over 120cm (47 inches) tall, this rare prehistoric fossilised whale bone is a fascinating sculptural artefact for an interior or live-in museum....

A scarce, likely one-of-a-kind Spanish Colonial church altar, repurposed as a sideboard server or console. Hand-crafted in Mexico in the 19th century, having a shaped demilune marbleized - faux marble painted wooden top, over substantial solid pine bowfront base with hand carved detailing and decorative molded paneling. Provenance: Prior owner purchased from Horse of a Different Color Antiques, San Antonio, Texas. Acquisition: Acquired from highly reputable auction house Austin Auction Gallery, est. 1983, Austin, Texas. Three Day Estates Event February 22 catalog. Dimensions: (approx) 28" High, 84" Long, 22" Deep As warm and attractive as it is functional, having the ideal size and proportions for a variety of different uses, including as a dining room buffet, credenza - media stand, sofa table or hall console, dry bar, or placed in a palatial foyer as a stunning and historical entry statement piece! Condition: Good original antique condition. Presents well. Strong, sturdy, stable, and structurally sound. Nicely aged mellow warm patina. Wear consistent with age and indicative of use, including scattered losses to the paint, old repairs and touchups throughout, and various other antique character marks that add to the overall display, authenticity, and rustic old world charm. Please note, at the time of writing this, we have a similarly styled baptismal font likely from the same church available. We here at Lynx Hollow Antiques absolutely love religious antiques! Retaining spiritual significance, beautiful artistic depth, rich cultural and historical interest, they make for the perfect decorative object! Please be sure to check our other listings for architectural salvaged building elements to ornamental temple figures, tabernacle cabinets...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...

Game table double with solid wooden structure covered with high quality genuine Italian leather in light beige color. The table features removable legs. Double game field on the top, an inlaid chessboard on one side and a backgammon field with leather inlays on the other side. The surface is ideal to play chess, checkers an backgammon in style. With three leather-covered trays under the top with compartments store the boxwood chess pawns, the walnut and maple backgammon pawns with leather inserts, standard dice, two dice cups...

Part of the Masonic emblem is the triangle shape compass which represents the measurement of the ability to undertake actions within certain constraints. This very unusual solid golden oak tri-corner Masonic Lodge table...

The Old World House: Its Furniture and Decoration, In two volumes, by Herbert Cescinsky. Published by The Macmillan Company, London, 1924. A pair of 1st ed hardcovers with gilded top edge. Herbert Cescinsky was an architect and writer active in the early 20th c. He was particularly interested in the development of English furniture and wrote profusely on the subject. This work is an interesting look at the furniture and decorations found in the interior designs in older houses in England. The author discusses oak chairs and tables, marqueterie furniture...