Surrealist Fabrizio Clerici Coffee Table in Wood and Marble, Italy, 1940s

20th Century Italian Surreal Wood and Green Marble coffee Table, Italy 1940s

Paolo Buffa side table, Italy 1940s.

Splendid Italian coffee table, Italy 1940s The piece was bought at a Guglielmo Ulrich designed Apartment. Milan, Italy The coffee table has brass feet and a brass inner frame on th...

Italian 1940s circular two tier glass and turned wood coffee table.

Paolo Buffa beautifully executed wooden coffee table with squares top, Glass protective top. Italy, 1940s.

Beautiful Italian 1940s sculptural oval coffee table attributed to Fontana Arte. The outer wood frame is 10 cm of curved wood, beautifully executed with outer going curved legs. A ...

Italian hand painted marble top three winged lion legs with paw feet coffee table

Rare Coffee Table manufactured by Boman OY. Heavy brass foot with a wooden surface.

Rectangular coffee table with two glass shelves with etched decorations and a wooden curved frame.

Italian round coffee table, 1940s. Dimensions: H= 51 cm; D= 61 cm.

Coffee table in cherry wood, 1940s, Osvaldo Borsani style.

Round shaped coffee table with three legs, in walnut wood and brass details. Attribuited to Gio Ponti, Italian manufacture from the late 1940s to the early 1950s Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...