Grand Castello Console by Vikram Goyal, India

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The interplay of metalwork techniques creates the dual textures of this bronze-finished console. The etched brass of the surface aligns with the cast metal edging that brings togethe...

The two-part console, created with cladding, is elicitive of a pyramid-like silhouette. The piece uniquely weaves together semi-polygon lines and curved contours. Sizes : A - 92.5 ...

A smaller edition of the Prism, which invokes the repetitive patterns of perfectly formed tessellations, this console is a geometric structure made up of individual brass components....

The multifoil arches that prevail in Rajput architecture form the inspiration behind the Amber. The layers of this patinated brass console run deep; from the hand-embossed surface te...

With an organic facade made of fluted brass, this sculptural console is inspired by Art Deco. Breaking away from the traditional confines of geometry, the console explores the dynami...

A finely carved and simulated cork decorated large console or centre table with a thick glass top.

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...

Monumental 20th century mahogany console table or sofa table featuring a speckled lacquer finish by artist Ira Yeager (American 1933-2022) for his gallery in Calistoga, CA. The table...

The renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of Louis XV (1730-1760) furniture. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during this period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. The curved legs and side rails of this exceptionally elegant table are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the table from thick sheets of copper or silver. Once the table is joined together, it is meticulously encased in a tight-fitting skin of copper or purest silver. The silver used was assayed at 96% purity, which exceeds the minimum standard for sterling of 92.5%. Brass, White Bronze, Antiqued bronze, Silver and Copper are the available options for the metal skin. Both silver and copper will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original finish. Louise Console...

All of the pieces are made to order by Samuel and his brother Dominic (sculptor) the minerals are closely sourced from trusted miners, then hand crushed, hand washed and carefully sc...

This one of a kind Art Nouveau iron panel and stone console is grand in style and craftsmanship! The beautiful top is a single slab of black stone, r...