Ormolu End Tables

A very good quality late 19th century French Louis XVI style marble topped gueridon, in the manner of Henry Dasson. Having an inset green veined marble top, gilded ormolu moldings an...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

For your consideration is this Extraordinary pair of end tables!!! This is a gem by Drexel, from their ET Cetera line. It is comprised of two rectangular wood frames Tables with high...

A Matched Pair of Tables Ambulantes in the Transitional Style By Henry Dasson Constructed from mahogany and ormolu-mounted throughout, the tables supported on cabriole legs with bro...

A Rare Pair of Louis XVI Style Gilt-Bronze Mounted Vitrine Tables In The Manner of Weisweiler, by Georges-François Alix. This rare pair of mahogany vitrine tables each have a hinged...

A Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Gilt-Bronze (Ormolu) Mounted Belle Époque Guéridon Circular Side-Table with a Parquetry Top, by François Linke (1855-1946). The single-drawer end table inset with a symmetrical parquetry top an ormolu frieze, the apron with bow-tied swagged floral wreaths, the corners with fruit and acorns ormolu mounts, raised on four tapered legs topped with chased rings and inset spigots, all raised on bell-shaped sabots. Signed on top trim: F. Linke. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...

A fine French 19th-20th century Mahogany and Gilt-Bronze (Ormolu) Mounted Belle Époque Gueridon Circular Side-Table with Marble Top, Attributed to François Linke (1855-1946). The sin...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A Very fine Franco-Italian 19th century neoclassical Revival style gilt-bronze and Pietra Dura (or Pietra-Dure) occasional side-table Gueridon. The circular gilt-bronze frame raised ...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, attributed to François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

A Very Fine French 19th century Louis XVI Style Ormolu-Mounted Kingwood and Bois Citronnier Marquetry center table or writing table, attributed to François Linke (1855-1946), after t...

A lovely, hand-made Old French marquetry inlaid kidney shape side table or end table with fabulous exotic wood marquetry inlays of mahogany, satinwood, pearwood, rosewood and walnut....

An unusual, delicate and rare set of two mid century Italian side tables with outstanding hand painted scenes of Italian gardens with flowing fountains on each of the table tops. The top four corners of each table having ormolu busts of women...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a finial, on scroll sabots. Unsigned. Circa: Paris, 1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

An exceptional French side cabinet from the late 19th century. Likely Parisian in origin, elegantly refined, finished in the luxurious and sophisticated Louis XV taste, presenting with the striking original decoratively shaped variegated specimen marble top with molded edge, atop the gravefully curvacious bombe form case, adorned with intricate geometric diamond parquetry, hand-crafted, of fine quality, craftsmanship and rich detailing throughout, the solid wooden chest fitted with two dovetailed drawers over a spacious single large cabinet door, all open to reveal luxurious rich mahogany finished interior, decorated with finely gilded chiseled and sculpted bronze ormolu fiolate motif mounts, original pull fittings, gilt brass running ornamentation accents the scalloped apron, flowing elegantly down the short cabriole legs, terminating in elaborate bronze sabots. As warm and attractive as it is useful, having the ideal proportions for a variety of different uses, including as a hall console, dry bar cart - liquor cabinet, side table, accent table, sideboard server, linen or towel storage...

A very fine quality French gueridon, exceptionally executed in the manner of the original design by Adam Weisweiler (1744-1820). Finished in sophis...

A Wonderful Pair Of Regency / Neoclassical Mirrored & Ormolu Bronze Mounted Cabinets / Chests

A Very Fine French Late 19th/Early 20th Century Louis XV Style Ormolu Mounted Kingwood, Bois Satine, Mahogany, Marquetry and Parquetry Gueridon (Round End-Table), Attributed to François Linke (1855-1946). The circular marquetry top with trellis inlay encompass by a ribbon-tied floral and ribbon entwining inlaid surround, above a frieze interspersed with four abundant floral, foliate and entwined opposing cornucopia mounts each centered by a bacchanal mask, with one frieze drawer, on slender cabriolet legs with an up swept X-stretcher surmounted by a circular under-tier with a basket weave mounted gallery. Bearing the fine quality furnishings retailer's plaque which reads: 'S. & H. Jewell, 131 & 132, High Holborn, London, W.C'. Circa: Paris, 1900. S & H Jewell are first recorded in 1830 as fine quality retailers, restorers and cabinet makers. They were a family business who worked from their premises at 29-31 Little Queen Street, Holborn, in London and then later to 26 Parker Street and then at 131 - 131, High Holborn, both in London W.C. They are recorded to have sold furniture to the Arts and Crafts home...

Continental 19th century Biedermeier walnut sidetable with full columns, concave lower shelf, arched sides and three drawers (one hidden in the frieze...

A stylish, superbly handcrafted French rosewood inlaid bedside cabinet or end table from the second quarter of the 20th century. The fine vintage piece, circa 1940s, features beautif...

A beautiful French La Belle Époque period mahogany inlaid two-tier etagere stand / side table from the second half of the 19th century. Handcrafted with exceptional craftsmanship, elegantly finished in the timeless and classic Louis XV taste, having a shaped top accented by gilt metal rim, breathtaking marquetry and matched inlay, over a scalloped apron embellished with finely detailed sculpted and chisled gilt bronze ormolu mounts, above the conforming shaped medial shelf, all graceful rising on excellent quality ormolu mounted cabriole legs, terminating in gilded bronze sabots. A great presence and good proportions, make this versatile piece the ideal size for use as a accent table, occasional table, whatnots etagere...

An exceptional pair of Louis XVI style french ormolu-mounted parquetry and marquetry side tables, late 19th-early 20th century, in the manner of RVLC. These tables are truly excep...

A Very Fine French Louis XV Transitional Style Gilt-Bronze Mounted, Marquetry and Æil de Vermeil Parquetry single-drawer side-table by François Linke (1855-1946). The rectangular top...

A rare pair of stunning French gilt-bronze and Chinoiserie top side tables with three tiers (attributed to Maison Baguès, mid-Century). Each table has three rectangular burgundy-lacq...

A rare late 19th century carved mahogany French Louis XV style portfolio table / sheet music stand. Exquisitely handcrafted and elegantly finished in timeless Rocaille taste. A classic representation of the genre, with serpentine shaped molded edge parquetry top of matched diamond pattern inlay, supported by a finely hand carved, scrolled and scalloped apron and single frieze drawer with original asymmetrical gilt ormolu pull, over a conforming contoured shelf and open gallery of vertical slots for sheet music, books, magazines, letters, documents and whatnots, all raised by four long cabriole leg wonderfully carved with complementary motifs. In excellent condition, exceptional craftsmanship and detail, having warm, rich antique mahogany color...

C. 20th century Beautiful French ormolu mounted marble topside end table ( marble is removeable / can be taken apart ) One of the foots brass mount is slightly different than th...

A 19th century marble topped mahogany and ormolu mounted centre table. It has distinctive Rococo Revival charecteristics being marble topped, made of mahogany, with ornate nature bas...

A fine pair of French bedside end tables or nightstands (or night stands) - each stand or side table featuring a figured marble-top with serpentine edge over a frieze with three inla...

Date: 19th century Origin: French Dimension: 43 1/2 in. x 14 1/4 in

A very Fine French 19th century Louis XV style kingwood and ormolu-mounted marble top gueridon side table. The semi-circular single-drawer table fitted with a Rouge Royal marble top ...

A fine French 19th century gilt-bronze (Ormolu) mounted, mahogany and tulipwood marquetry oval Gueridon (side) table with marble top, attributed to François Linke (1855-1946). The in...

A William IV rosewood free-standing end support table attributed to Gillows, the rectangular top with the original leather and an ormolu gallery on three sides, all above a single di...

A very impressive French gilded ormolu table, having an 18th century Japanese Arita Imari porcelain charger and vase mounted and raised on scrolling ormolu...

A fine quality pair of late 19th century French parquetry inlaid side tables, each with wonderful parquetry inlaid decoration, classical Rococo style gilded ormolu mounts, five drawe...

A Superb Quality French 19th Century Louis XVI Style Ormolu Mounted Mahogany and Kingwood Vitrine Table, Attributed to Henry Dasson (French, 1825-1896), with a beveled glass lift top...

A Fine Regency Gilt Bronze Ormolu Mounted Gallery & Rosewood Empire Tilt Top Table With Marquetry Inlay And Raised On 3 Paw Feet

A vintage pair of French ebonized bedside tables from the mid-20th century, with ormolu décor, single drawer and lower shelf. Born in France during the midcentury period, each of thi...

A very good quality French late 19th century, Louis XVI style, King wood parquetry inlaid side table, having a single frieze side drawer, fine quality gilded ormolu mounts and raised...

A fine quality near pair of French late 19th century marble topped side tables, each with wonderful gilded ormolu mounts to the f...

A very good quality near pair of French gilded ormolu Gueridons, in the Louis XVI style after a design of Adam Weisweiler (French, 1744-1820). Each table having an inset Lapis Lazuli...

A very good quality late 19th century Louis XVI style Donald Ross two-tier side table, having fine marquetry inlay to the top, a brass gallery. A single frieze drawer, raised on cabr...

A fine example of Herts Brother's high quality craftsmanship. This round side table is raised on three hairy paw ormolu feet which has a heavily ormolu encrusted platform out of whic...

A good quality late 19th century gilded ormolu, Sienna marble topped Louis XVI style side table Having pierced scrolling foliate decoration to the frieze and raised on square taperin...

A very good quality pair of French gilded ormolu Louis XVI style occasional tables, in the manner of Adam Weisweiller, having Lapis lazuli tops, three monopodia supports to the latti...

A very fine French 19th century Louis XVI style mahogany and ormolu-mounted side table with drawer by François Linke. The foliate key plate with ormolu banding repeated on all sides ...

French Louis XVI-style (19/20th Century) bronze dore ram head design round end table with 3 legs supporting an inset black marble top and shelf with a bottom ...

End table, having an oval top of breche marble, single frieze drawer framed in stringing, flanked by ormolu, over cupboard door decorated in geometric cube motif, shaped apron center...

French Louis XV-style (19th Century) kingwood veneer end table with 2 drawer (top drawer for writing) with an inlaid top and gilt bronze trim.

French Belle Époque Table in the style of Louis XV with parquetry, marquetry and ormolu mounts, circa 1870. Imported by R.J. Horner in New Yo...