Aesthetic Movement Gueridon, England, Circa 1860

A tripod gueridon in gilded bronze attributed to F. Barbedienne, decorated with palm-leaves and standing on lion’s feet. The black marble top is decorated with an antique chariot...

Very fine Louis XV Style guéridon in green-stained wood marquetry , with fine ornamentation in chiseled and gilded bronze, opening with a drawer on the belt. The tray top and the un...

A large Japanese style boat-shaped jardiniere attributed to G. Viardot, made in carved wood, ornated with panels decorated with Japanese blossoming cherry tree branches and a trophy ...

A similar model was exhibited at the 1889 Paris Universal Exhibition. Rare pair of round table made of patinated and gilded bronze with a top veneered with malachite and circled with bronze mounts adorned with ovum and beads. They stands on three patinated bronze feet with lion heads and paws, linked with gilded bronze X braces. Related Works: The feet of these gueridons adopt a sleek design and are adorned with claws and lion heads. Inspired by a well-known model in the Barbedienne Company production and it has been reused many times by his workshop. These gueridons shows how the Barbedienne Company offered a range of furniture from the designs of its decorator Louis-Constant Sévin. He designed this model of gueridon few time after he joined the Barbedienne Company in 1855 and this model can be seen on different interior decorations of the Second Empire. A tripod gueridon with feet like these ones can be seen on a picture showing the cold room of the Pompeiian house built for Prince Napoleon. (see picture attached, photograph by Laplanche J et Cie, between 1860-1866, Musée Carnavalet, Paris, PH15305). Most of the Ancient style furniture was made by Charles Rossigneux (1818-1908) but this gueridon shows that the Barbedienne Company took also part to this work. Biography: Henri Picard was established in Paris, 6 rue Jarente from 1831 to 1839 and then 10 rue de la Perle from 1840 to 1864. He worked on the Emperor Napoleon III’s apartments gilding at the Louvre Palace. His production was in a rich and fine style, like a Japanese style inkwell, or his Pompeian style dining table centerpieces...

Pair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...

Gueridon made in silvered and gilded bronze, composed of four claw feet decorated with lion’s head held together by crossed bars in gilded bronze. It is surmounted by a large onyx to...

Exquisite neoclassical Napoleon III period French parcel-gilt and painted solid oak gueridon or occasional table having breakfront circular top with raised central plinth surmounting...

Gueridon. Walnut veneer. Four black iron legs with brass details. Top redone, circa 1960, France. Good vintage condition.   

A two tiers oak Gueridon with ebony feet.

Rattan gueridon, circa 1950-1960.

A French Napoleon III walnut guéridon side table from the mid-19th century, with radiating veneer, single drawer and lower shelf. Born in France during the Second Empire, this exquis...

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...