Items Similar to 19th Century Pair of Neo Greek Sellettes en Athéniennes
Want more images or videos?
Request additional images or videos from the seller
1 of 19
19th Century Pair of Neo Greek Sellettes en Athéniennes
About the Item
A French 19th century very unusual and decorative pair of neo greek gilt and patinated cast iron sellettes en athéniennes
With red griotte marble bassin
Raised on tripod feet with Héron's heads holding chains with pompons, finished by claws joined by an entretoise.
Attributed to F.Barbedienne
Circa 1870.
- Attributed to:Ferdinand Barbedienne (Maker)
- Dimensions:Height: 38.59 in (98 cm)Diameter: 20.87 in (53 cm)
- Sold As:Set of 2
- Style:Greek Revival (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1870
- Condition:Wear consistent with age and use.
- Seller Location:Saint-Ouen, FR
- Reference Number:1stDibs: LU2612324142502
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2017
56 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Saint-Ouen, France
- Return PolicyA return for this item may be initiated within 2 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- French 19th Century Pair of Lacquered Bamboos Japonisme VasesBy Edouard Lievre, Ferdinand BarbedienneLocated in Saint-Ouen, FRA 19th French century pair of Lacquered Bamboos Japonisme vases. An amazing pair of tall cylindrical bamboo vases decorated in Japanese Gold and Sil-ver Hiramaki-E Lacquer with Pavilions in The Mist and Weaving Figures, Flown Over by a Pair of Cranes. Enclosed in a Sino-Japanese Inspiration Golden and Brown Patina Bronze Mount Featuring Elephant Heads, Partially Openwork Branches and Salamanders Forming Side Handles. Circa 1870 Attributed to Édouard Lièvre (1828-1886) and Ferdinand Barbedienne (1810-1892) Édouard Lièvre (1828-1886) is one of the most talented and prolific designer and industrialist of the 19th Century, his repertoire is sometimes Sino-Japanese or Neo-Renaissance, whether in furniture or works of art, we can note in particular the parade bed of Valtesse de La Bigne, furniture commissioned by the painter Édouard Detaille or even Sarah Bernhardt, and the famous works in collaboration with Maison Christofle or those in gilded bronze and cloisonné enamel edited by Ferdinand Barbedienne, presented at the Universal Exhibitions in 1878, 1889 and 1900. He was both a draftsman, painter, illustrator, engraver, ornamentalist and cabinetmaker, first trained in the studio of the painter Thomas Couture, Lièvre was then fully immersed in the world of decoration, creation and ornamentation and provides designs for manufacturers and merchant-publishers. Often assisted by his brother Justin, he first produced works of art for his own apartment, seeking out the finest craftsmen to execute his designs for bronzes, ceramics, fabrics and luxury furniture from great virtuosity and great taste. He then collaborated with the cabinet-maker Paul Sormani, as well as haberdasher merchants such as the Escalier de Cristal, bronziers such as Maison Marnyhac and especially Ferdinand Barbedienne as on our vases with bronze mounts characteristics of Edouard Lièvre's work. Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Par-is one of the major artistic foundries of his time. Barbedienne specialized in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and bronzes for furniture. Apart from his own produc-tion, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honored by contemporary critics. At the London exhibition in 1851 Barbedienne’s firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honor. The success of Barbedienne’s firm brought him many official commissions, such in about 1860, as Barbedienne supplied bronzes for furniture for the Pompeian Villa of Prince Napoléon-Joseph, located avenue Montaigne in Paris. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories: Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d’Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. “Japonisme” in the second half of the 19th century, was a craze for everything that came from Japan or imitated its style. The word was first coined in a series of articles published by Philippe Burty, from May 1872 to February 1873, in the French magazine “la Renaissance Littéraire et Artistique”. Far from the Academic sphere, artists seeking for new ways of expression, appropriated this discovery. Manet and the impressionists led the way to half a century of enthusiasm for Japanese art, and largely contributed to the esthetical revolution Europe experienced between 1860 and the beginning of the twentieth century. From 1862, The World’s Fairs provoked massive arrivals of fans, kimonos, lacquers, bronzes, silks, prints and books that launched the real era of Japonisme. With those exhibitions, the demand was boosted, the number of merchants and collectors was multiplied, and artists became passionate about this new esthetic. For them, its “primitivism” was probably its most important quality: artists were fond of the Japanese art’s capacity to be close to nature and to reconcile art and society by representing, with a lot of care, the most trivial objects. In painting, Edouard Manet, Mary Cassatt, Degas, Van Gogh, Gauguin were among those who were deeply inspired by Japanese art, affected by the lack of perspective and shadow, the flat areas of strong color, the compositional freedom in placing the subject off-center, with mostly low diagonal axes to the background. The Japanese iris, peonies, bamboos, kimonos, calligraphy, fish, butterflies and other insects, the blackbirds, cranes and wading birds, the cats, tigers, and dragons were endless sources of inspiration, appropriation, and reinterpretation for European artists. The occidental productions were combining styles and artistic conceptions instead of copying Japanese art slavishly. That is what brings to light the comparison between the artworks of Kitagawa Utamaro and Degas, of Katsushika Hokusai and Van Gogh The World’s Fairs of 1851 and 1862 in London, those of 1867, 1878, 1889 and 1900 in Paris, of 1873 in Vienna and of 1904 in Saint Louis presented a number of “Japanese-Chinese” installations with earthenware, bronzes, screens and paintings and attracted the largest amounts of visitors In Vienna, the “Japanese village...Category
Antique 1870s French Japonisme Vases
MaterialsBronze
- Impressive French 19th Century Neo-Greek Style Bronze Nine-Lights CenterpieceBy Georges Emile Henri ServantLocated in Saint-Ouen, FRAn impressive French 19th century Neo-Greek style bronze nine-lights center piece In patinated and gilt bronze, engraved on the body of foliage and rings, the collar decorated with a frieze of palms in bas-relief. It is held by a tripod base decorated with shards, foliage, and fins, in the center a mask of man. Surmounted by three arms, nine-lights ending in lion’s paw. Curved triangular base with ivy friezes, and palm-leaf feet. Attributed to Georges Emile Henri...Category
Antique 1860s French Napoleon III Vases
MaterialsBronze
- French 19th Century Pair of Porcelain Cache-PotsLocated in Saint-Ouen, FRPair of polychromed hand painted porcelain with Japonisme floral decoration Ormolu-mounted with open-worked base and rim Louis XVI Style circa 1880.Category
Antique 1870s French Chinoiserie Planters, Cachepots and Jardinières
MaterialsOrmolu
- A Very Fine Quality 19th Century French Pair of CandlesticksLocated in Saint-Ouen, FRVery Fine French 19th Century Pair of Candlesticks In ormolu, very finely chiseled and decorated with knotted garlands, branches of leafy flowers, spokes of hearts, leaves of water...Category
Antique 1870s French Louis XVI Candlesticks
MaterialsOrmolu
- A French 19th Century Pair of Louis XIV Style StoolsLocated in Saint-Ouen, FRA French 19th Century Pair of Large Rectangular Stools natural and carved wood. The 4 sheaths feet carved and linked by a stretcher. Louis XIV Style Napoléon III Period Circa 1880...Category
Antique 1880s French Louis XIV Stools
MaterialsBeech
- 19th Century French Pair of Belle Époque Baccarat Crystal Crinoline PlafonniersBy Cristalleries De BaccaratLocated in Saint-Ouen, FRPair of 19th Century Belle Époque Baccarat Crystal “Crinoline” Plafonniers Crinoline model created in 1895 Composed of a crown in gilded bronze f...Category
Antique 1850s French Napoleon III Chandeliers and Pendants
MaterialsCrystal, Ormolu
You May Also Like
- Pair 19th Century Neoclassical Painted Parcel-Gilt TorcheresLocated in London, by appointment onlyFine pair of 19th century Etruscan neoclassical painted parcel-gilt pedestals in the manner of Robert Adam. This refined pair incorporate the most exceptional & beautiful neoclassica...Category
Antique 19th Century British Neoclassical Pedestals
MaterialsWood
- Pair of Neo-Greek Gueridons Attr. to L.C Sevin & F. Barbedienne, France, c. 1880By Ferdinand Barbedienne, Louis-Constant SevinLocated in PARIS, FRPair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...Category
Antique 1880s French Greek Revival Gueridon
MaterialsGriotte Marble, Bronze
- 19th Century Italian Sculptor Stand TableLocated in Vosselaar, BEA 19th century Italian sculptor stand table. Softwood with handforged iron ring around the top.Category
Antique Early 19th Century Italian Pedestals
MaterialsIron
- Sèvre Pedestal Table, Late 19th CenturyBy Manufacture Nationale de SèvresLocated in Saint-Ouen, FRSèvre pedestal table, late 19th century Majestic pedestal table from Sèvre, decorated with a gilt bronze frame, on top there is a painting designed i...Category
Antique Late 19th Century French Louis XVI Pedestals
MaterialsBronze
- Louis XVI Sellette 19th CenturyLocated in Beuzevillette, FRVery nice Louis 16 style sellette from the Napoleon 3 period. The top is made of white marble, the legs are connected by a spacer forming a top. The Lou...Category
Antique 19th Century Pedestals
MaterialsWood
- Wooden and bronze pedestal table, late 19th centuryLocated in Saint-Ouen, FRWooden and bronze pedestal table, late 19th century Wooden and bronze pedestal table in the form of a display case, From the end of the 19th cent...Category
Antique Late 19th Century European Napoleon III Pedestals
MaterialsBronze
Recently Viewed
View AllMore Ways To Browse
Pedestal Tripod
Gilt French Pedestal
Tripod Pedestal Table
A Pair Of Marble Pedestals
Cast Iron Dining Table French
Carved Marble Pedestal Table
Pair French Marble Pedestals
Unusual Pedestal Table
Antique Cast Iron Hall Table
Antique Cast Iron Marble Table
Red Pedestal Table
French Cast Iron Marble Table
19th Century Tripod Pedestal Table
Antique Marble And Cast Iron Table
Metal Chain Table
Ormolu Gilt Pedestal
Claw Pedestal
Pair Of French Ormolu Pedestals