English Regency Period Coromandel and Brass Table Attributed to Gillow

Constructed in a finely figured goncalo alves; the end supports having square uprights, each enclosing three tapering and turned ‘triple spindles’, with ‘running pearl’ adornments, a...

A near pair of card tables firmly attributed to Gillows of Lancaster. Designed in the Louis XV manner, and constructed using a finely grained Circassian burr walnut, with kingwood crossbanding and boxwood stringing, with gilt bronze adornments; rising from swept cabriole legs, dressed with foliate gilt bronze sabots, and female espagnolettes, the hinged and rotating serpentine tops, reveal playing surfaces of inset red baize within gilt tooled morocco...

A fine end support table firmly attributed to Gillows of Lancaster. Constructed in a well figured Goncalo Alves, rising from winged lions claw feet supporting the base platforms; ...

An Elegant Regency Period Table Attributed to Gillow Constructed in a striking flamed Honduran mahogany: rising from brass castor shod swept and ebony strung legs, the ends housing...

A walnut serpentine card table firmly attributed to Gillows Constructed using finely figured Circassian walnut, dressed with gilt bronze mounts; rising from slender kingwood banded ...

A magnificent library table Attributed to Jackson & Graham Of free standing rectangular form, constructed in coromandel, with inlays in thuya, ebony, boxwood, and honeysuckle; the fluted legs rising from square brass castor-shod feet; the frieze housing two lockable drawers fitted with rare ‘tamper proof’ Chubb locks and having quadrant moulded cedar lined interiors; the platform having a central panel of beautifully chosen matched coromandel veneers, with an outer guard border of a running pattern of stylised anthemions; the ebony edges having a thumb nail moulding, circa 1865 The firm of Jackson & Graham established in 1836 by Thomas Jackson and Peter Graham at 37 Oxford Street London, and for the next fifty years produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive of Cairo and the royal palace in Siam. They were particularly noted for their fine marquetry work, the use of Wedgwood plaques, rare woods, and fine casting of bronze mounts. They engaged the leading designers of the period, inter alia, Owen Jones, Bruce Talbert, Alfred Lorimer and Eugene Prignot. In the mid-1850s the workforce was recorded as 250, and by 1875, the company was employing 600 workers. They were feted exhibitors at many of the Great Exhibitions of the 19th century, and frequent prize winners. At the Paris International Exhibition of 1878, the furniture jury noted of them ‘ the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found’. In 1885 the company was absorbed by Collinson and Lock, who continued their standard of excellence. Charles Chubb was apprenticed as a blacksmith before starting business as a ships’ ironmonger in Winchester. Jeremiah soon joined the business, and by 1818 the brothers had branched out into lockmaking, founding the famous Chubb Company. The business really got started when Jeremiah Chubb patented his new ‘detector lock’ in 1818. The lock was constructed so that if someone tried to pick it or open it with the wrong key it became inoperable. To make the lock work again the owner had to use a special key supplied with the lock. The aim of the detector lock was to prevent burglaries, and to warn the owner that someone had tried to break into their property. The lock soon became popular, and sales of the Chubbs’ products increased even more when they won a government competition to design a lock that could only be opened using its own key. After the invention of the detector lock, the Chubbs decided to move to Wolverhampton, which already had an established lock making industry. By 1838 they were making 28,000 locks a year at their Wolverhampton factory. Another product was added to the Chubb range in 1835 when a patent was taken out for a burglar resistant safe, and in 1837 the Chubb safe...

A very attractive antique late Regency giltwood centre table attributed to Gillow of Lancaster and London, inset with an Italian Pietra Dura top, The central turned baluster supp...

A William IV rosewood free-standing end support table attributed to Gillows, the rectangular top with the original leather and an ormolu gallery on three sides, all above a single di...

A fine Regency mahogany occasional table attributed to Gillows of Lancaster, with tray top above frieze drawers and beaded border, on turned tapering legs with castors. Circa 1828...

This fine piece of furniture is made from rich deeply grained rosewood. Even the pedestal support is turned and carved from solid rosewood. The table is further accentuated with a wi...

A large late Regency mahogany partner’s library table attributed to Gillows, the leather inset rectangular top above six frieze drawers, the frieze cross banded, raised on powerful ...

This magnificent games table incorporates some of the rarest English marbles, hardstones and fossil specimens, including Derbyshire Blue John. The scarcity of these coveted stones makes an inlaid circular piece of this size a truly exceptional and unique masterpiece. The tabletop, with its fabulous specimens surrounding an Ashford marble chessboard...