Zero-In Table Black and Black Tinted Glass by Established & Sons

The Zero-In table creates an illusion of weightlessness, with seamless sloping walls at unexpected angles topped with a glass surface, all supported by hidden feet that create a shad...

Treating colour as a material, Bloc side tables are based on the idea of recreating a hand-drawn cube, using different tones and shades to suggest an optical illusion. White Squar...

British artist Richard Woods is renowned for his work with garish and repetitious motifs. He has applied these to facades, floors and walls across the world in commissioned work and gallery installations. These ‘logos’ are often abstractions and interpretations of domestic pattern, the woodblock print being a particularly recognisable signature print. Designer Sebastian Wrong teamed up with Woods for Established & Sons’ programme of collaborations where individuals from two creative fields work together. Woods’ block printed motifs were applied to Wrong’s utilitarian cabinets. These storage units are reminiscent of 1950s furniture – a fitting vehicle because much of Woods’ work is based on a nostalgia for mid-century domestic interiors. Dimensions Night Table: L585mm × D355mm × H595mm 16kg Chest of Drawers: L1090mm × D510mm × H735mm 70kg Low Cabinet: L1500mm × D405mm × H645mm 60kg Long Low Cabinet...

British artist Richard Woods is renowned for his work with garish and repetitious motifs. He has applied these to facades, floors and walls across the world in commissioned work and ...

An elegant equation of modern and traditional craftsmanship, the Lighthouse balances a Venetian mouth blown glass shade on an industrially engineered aluminium arm, weighted by a marble column. Ronan and Erwan Bouroullec cleverly draw our attention to the precariousness of the equilibrium while providing a sturdy, sculptural, voluptuous and enchanting light. Impressive and an instant success the Lighthouse now stands in prestigious museum collections and has the potential to become a prized heirloom, handed down to the next generation of collectors. Dimensions T1: H695mm, cable 225mm Base: Ø100mm, 5.9kg Shade: Ø370 × H465mm, 4.4kg Materials Hand blown glass, anodized aluminium, marble Note: artisan material and process, variations occur. Colours Grey blown glass with matt Carrara white marble Grey blown glass with matt Marquina black marble Amber blown glass...

Klauser & Carpenter’s surprisingly understated Louvre design uses layers of pressed aluminium to create a glare-free, ambient light. Singled out for use above dining tables and kitch...

Constructed from an apparently seamless ribbon, the Zero-In table’s shadow gap (hidden feet) and smooth finish make it a favorite with architects and their tech-friendly, modern interiors. The Zero- In utilizes a Dual wall construction...

Caruso St John’s architecture is known for fine detailing and intelligent use of materials, and table shares those hallmarks, with layers of engineered timber creating a design that ...

Strong, easily assembled and instantly usable the M5 Table finds its stability in an engineered form more commonly employed in bridge building. Inspiration struck designers matte Edm...

Zaha Hadid’s voluptuous Aqua table is an uninterrupted whole – a curious and curvaceous form that invites viewers to engage with it. Standing as an impressive centrepiece it delivers a stylish focal point in any space. The three fin-like legs of the Aqua Table appear to be in motion and register as gradients on the gently undulating table...

British artist Richard Woods is renowned for his work with garish and repetitious motifs. He has applied these to facades, floors and walls across the world in commissioned work and ...

Caruso St John’s architecture is known for fine detailing and intelligent use of materials, and table shares those hallmarks, with layers of engineered timber creating a design that ...