Robert Mangold Silkscreen "Yellow Curled Figure"

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...

A Robert Mangold etching titled "Frame and Elipses". Produced in 1988, signed and numbered in pencil 37/50. Framed in 12-karat white gold frame using all archival acid free materials...

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, Folio II / Folder 6 . Floated in 12 karat white gold gilt frame using all acid free archival materials. #176 of ...

A 2016 silkscreen print made on the occasion of the Rio Olympics titled "Road To Rio" by Howard Hodgkin. Numbered 88/350 signed H.H. and dated 2016 in pen...

A72 color silkscreen on paper. Published by Pace Editions, Inc., New York 2017. Edition of 50. Signed, numbered and dated by the artist. Newly framed in a 23-karat yellow gold leaf f...

Pop Art screen-print on silver metallic board featuring graphic magenta, blue, orange bullseye targets. Signed Peter Gee 1967. Professionally framed in a white wood frame with glare ...

Max Papart signed deco silkscreen 47/150 (1911-1994)

Rapto (The Abduction of Hippodamia) - The subject from the Greek mythology describes the kidnapping of the bride Hippodamia during her wedding by the centaur Eurytus, resulting in a battle between humans and centaurs. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Desenho (Man Painting) - The painting shows someone who begins a drawing, looking on the paper with a pen in the hand. Álvaro Siza describes the very special moment of taking the decision to make a painting, facing the white paper. A reproduction of his situation, doing this series of paintings: not knowing what to do until the decision to draw was being made. Then the idea of mythology came to his mind. “It is, in some way, an expression of my personal moment making drawings. But it is not a self-portrait, I am quite different than this man. It is not a specific person on purpose, because everyone makes drawings. Maybe not everyone does it, but everyone could do it.” Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

“Abstract Fables,” silkscreen by Henry Mark, American, 1953. Edition of 22, stamped with initials, and signed on verso.