'Untitled' Saltwork

Project surface service sees the sensory manipulation of interior design objects like benches and shelves, and the automated value inscription embedded in everyday objects. The surfa...

The bronze screen by FOS is placed in the center of the exhibition Warm Leatherette. Functioning as a tissue in the lung that FOS created for the exhibition. Using a traditional met...

Diamond Table is made to order - All colours are possible to add on the concrete base

Sculptural wall lamp. Hand made in Denmark

Chandelier Material: Brass (shades CuZn37 0.50mm) Dimension: Diameter: 110-118 in (adjustable arm) Height: low/high model 28-38 in Diameter: 280-300cm (adjustable arm) ...

Sculptural wall lamp. Hand made in Denmark

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

Oil on canvas, painting by Hans Speidel (1895-1976): Germany, Signed. Speidel, opposed the Hitlerian racial laws, and was a proponent of the German mo...

"Untitled" Lithograph by Robert Motherwell on Arches Paper. Signed and numbered 198/225 in pencil. Printed by Irwin Hollander, New York, with artist...

Jack Roth, Untitled, acrylic on paper, 1981. Signed lower right "Roth." Measures: Sheet 30" H x 22" W. Framed. Jack Roth (American/New York, 1927-2004). Abstract Expressioni...

Radford's compulsion to record the scale and pace of urban life is both vibrant and sombre - with an innovative use of color and paint - he first paints people's silhouettes - and moves over the canvases in huge swathes to 'wipe away' any individual identities within the masses. This particular work of art depicts a bar scene. For it is the mystery and complexity of urban life that fascinates Radford, and pulses throughout his paintings - acting as a metaphor for the shifting sands of one's lifetime. Many of Radford's recent works tread a thin line between the figurative and abstraction, evoking a darkness where the non-subject areas of a London scene spell both a paradoxical void and spatial freedom, and the subjects are swathed in veils. Perhaps Radford presents these more abstract images as gateways for seeing other things - the duality of the spiritual world and physical world which he believes can never be experienced separately. Like stills from a film noir, his images are alluring but shrouded in mystery. Having been fascinated with crowds since childhood, Radford's enigmatic paintings and monotypes are a set in his city - a 'deep pool of individual solitudes' - an anonymous passage of personal exploration through social constraint. Acquired by both institutions and private collectors alike, Matthew Radford...

Using 1500 clothes pins to combine painting and sculpture to a dramatic affect is what artist Annie Morris is most famed for. Each peg is individually pai...