Àlvar Suñol "Le Miracle Quotidien" Suite Color Lithograph "Intérieur Rêve"

Introducing the Custom Made Letter Sign in Solid Brass by Cain Studio, USA Made – the perfect addition to any space! Hand crafted in Los Angeles by skilled artisans with precision an...

Limited edition pencil signed and numbered 6/250 original Fine art etching by the very well listed artist and print maker Herbert Fink. This is signed and...

Limited edition pencil signed and numbered 126/250 original Fine art etching by the very well listed artist and print maker Herbert Fink. This is signed a...

Murat Kaboulov (Russian/American, 1939-2010) Untitled, 1997 Watercolor painting with pastel embellishments on paper Signed to the lower right Measurements: 10.50 inches wide x...

George Littlechild (Native Canadian, 1958-) Peggy Bull, Colored Serigraph; Signed, Titled, Numbered 01/50 and Dated 1993 in Pencil. The piece com...

Linocut. Year produced: 1964 Artist: Henry Evans. Country: United States of America Introducing the Botanical Linocut by Henry Evans, Hand Signed #1/100 and dated 1964. - a stunning piece of art that will add a touch of elegance to any room. This linocut features a beautiful image of red flowers that is both vibrant and intricate. The picture is framed and ready to be displayed, making it an effortless addition to your home decor. What makes this linocut truly special is that it is hand signed by the artist, Henry Evans, and is one of only 100 prints in existence. This means that you are not only purchasing a beautiful piece of art, but also a rare and valuable collectible. Printed with the utmost attention to detail, the Botanical Linocut by Henry Evans is a true masterpiece. The colors are rich and vibrant, and the intricate details of the flowers are sure to captivate and inspire. Whether you're an art enthusiast or simply looking for a unique and beautiful addition to your home, this linocut is an excellent choice. So why wait? Add the Botanical Linocut by Henry Evans, Hand Signed #1/100 to your collection today and experience the beauty and elegance of this truly remarkable work of art. Measurements: About the artist: Henry Evans (1918–1990) began making botanical prints in 1958, depicting some 1400 subjects in 31 years. In that time, he was accorded more than 250 one-man shows in many countries around the world and, almost every state in the union. Admired by art lovers and naturalists alike, Henry’s work reveals a style intriguingly personal and botanically faithful, unerring in its feeling for rhythm and design. Self-taught as a printer, botanist, and artist, he developed a unique style and technique. He drew directly from living subjects, and all subjects were portrayed life-size. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. All of the work was done by hand. All of the materials that were used were of the best quality, and all of the editions were limited. Each linoleum-block print was numbered, dated, and signed by the artist. After printing, the blocks were destroyed. Henry Evans’s linocuts are found in the great print collections of the Albertina in Vienna, the Library of Congress in Washington, and the New York Public Library; in various museums and libraries across the country; and in numerous private collections in America and abroad. Henry Evans wrote and illustrated books and magazine articles, talked before groups both here and abroad on printmaking (including a stint of lectures for the State Department in Europe and the Middle East), and, along with his wife, Marsha, met the public in their galleries in the Napa Valley and San Francisco. From 1974, Marsha worked on shows and gallery arrangements and did most of the presswork on the prints. Henry selected the subjects, made the drawings, cut the blocks, and mixed the colors. It was, in the best sense, a husband-and-wife team. Among numerous publications, the artist’s most important books and portfolios include The State Flowers of the United States (1972); Botanical Prints: With Excerpts from the Artist’s Notebooks (1977); and California Native Wildflowers (1985). Some of the more notable exhibitions of Henry Evans’s prints...

Suite titled “Renaixant” (Renaissance) of four framed, original and embossed lithograph prints on Arches by Alvar Sunol Munoz-Ramos, pencil signed and numbered 122/185. circa 1977. Featuring surrealist scenes with gothic architecture and ghosts / angels / muses / musicians and doves. Alvar is known for his technical expertise. He is passionate about his concept of el oficio, the commitment to his vocation and appreciation for the traditional artistic values bequeathed by the masters. Renaissance artists, especially Piero della Francesca, Vermeer and Balthus, are particularly admired by him. He views his work as an inheritance from and devotion to Catalonia, specifically Romanesque art, yet imbued with a modern sensibility. His themes, though varied, remain steadfast in their revelations about the human condition and complexities, about love and peace. Time is a prominent and recurring theme, referencing history and art history. Alvar Suñol Munoz-Ramos was born on January 29, 1935, in Montgat, a Catalan fishing village on the Mediterranean coast near Barcelona. He started painting oils at age twelve, and at age seventeen was accepted at the Escuela Superior de Bellas Artes de San Jorge, the prestigious fine art school in Barcelona. Before graduating from the Belles Artes, he gave his first solo ex- hibition at Galleries Layetana in Barcelona in 1957. Alvar also won the Bolsa de Viaje Alhambra de Granada, a summer scholarship study trip to Granada. At age 18, he entered a painting in a competition for the Young Painters Prize sponsored by the City of Barcelona. His painting won the grand prize, and it is now in the permanent collection of the Museum of Modern Art, Barcelona, Spain. Due to his early artistic successes, Alvar received many invitations for shows in other Spanish cities. During his military service, he submitted one of his canvases for the Institut Francais an- nual painting competition in Barcelona. The Institut Francais awarded him the grand prize and a scholarship to study in Paris. Alvar arrived in Paris to paint in 1959. He met Juan Fuentes, a fellow Spaniard and director of the prestigious Parisian Galerie Drouant. Fuentes encouraged Alvar in his painting and brought Alvar's first group of Paris oil paintings to the gallery. Fuentes' gallery sold the paintings in one week. In 1960 Alvar returned to Barcelona to marry his childhood sweetheart, Rosella Berenguer. They returned to Paris and lived there for ten years. Alvar's paintings were exhibited in the United States for the first time at the Monede Gallery, New York in 1962. Alvar produced his first original lithographs for a one-man show at Galerie Drouant in 1963. Since a decisive solo exhibition in Paris in 1963, Alvar has exhibited regularly throughout Europe, the United States, Canada and Japan. For a comprehensive list of Alvar's museum and private exhibitions, please see the additional in- formation provided. Alvar's hometown of Tiana hosts one of his permanent public installations. In September 2001, a commissioned mixed media mural by Alvar was unveiled. The mural reflects on the four seasons and is affixed to The Four Seasons Building, named in reference to Alvar's mural. In 2003, city officials in Montgat, Spain, commissioned Alvar to create another permanent public installation: an 18-foot sculpture titled Mediterranea dedicated to the city's personality and seaside character, which now stands in the newly opened Plaza de Mallorquines. Perhaps one of the most prestigious honors Alvar has received was in 2006 when Restaura, a Spanish real...

Wonderful hand signed and numbered abstract lithograph by listed Spanish Artist Alvar Sunol, circa 1970's. The art was sold through The Collector’s...

A Dreamlike Journey: Abstract Color Lithograph "Le Rêve" This captivating abstract color lithograph, titled "Le Rêve" (The Dream) in French, invites the viewer on a journey of imagi...

Poul Esting, Tosca Color lithography Number 22/36 Work with signature and individual number and title (pencil) Work dimensions 50/40 Framed work Poul Esting is a Danish artis...

Paul Esting, Carmen Color lithography Number 21/36 Work with signature and individual number and title (pencil) Work dimensions 50/40 Framed work Poul Esting is a Danish arti...

A fine color lithograph by Mihail Chemiakin, signed and numbered in pencil. Professionally framed. Artist: Mihail Chemiakin, Russian (1943 - ) Title unknown Year: Circa 1980 Frame...