18th Century Painting Showing Figures in a Landscape Attributed to Pater

A fine half length portrait of a powder wigged 18th century French aristocratic gentleman simply dressed in a brown waistcoat over an embroidered buttoned vest in which he has placed...

An unsigned canvas depicting two bearded ‘Renaissance’ gentlemen painted from the waist up in a loving posterior embrace. The painting is very likely English late 17th or 18th century. Relined well over a hundred years ago which suggests that the work may be 17th or 18 century. Presently in a contemporary, compatible frame. The canvas relining was done by John Peel who was active in London in the early 19thC. John Peel worked from Golden Square, London 1819, 7 Naylors Yard 1820-1834, 17 Golden Square 1832-1843, 17-18 Golden Square 1844-1858, 12 Marlborough Row as carver and gilder...

An old master style 18th century allegorical painting representing youth and old age, and/or beauty and wisdom, depicted by a beautiful young ...

An early/mid-19th century Italian clock painting indistinctly signed on the lower right corner. The oil painting is set in a period Empire gilt frame and d...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

A late 18th century copy of a painting by Claude Lorrain titled, "Port scene with the Villa Medici" the original painted in 1637 and now hanging in the Uffizi Gallery in Florence. Th...

This wonderful oil painting on canvas portrays a vibrant Dutch landscape and is attributed to Théobald Michau (1676-1765). It is characterised by a realistic depiction of everyday ru...

Attributed to Bartolomeo Pedon (Italian 1665-1732) "Ruins", circa 1700 Oil on canvas 69.5" x 52" inches framed 61" x 43.5" inches unframed Pedon was born in October 1665. In 1716, he became part of the Fraglia, a guild of Venetian painters. He lived the lifestyle of a Bohemian and had a strong taste for poetry. Pedon spent most of his career as a painter in Padua, in the Monastery of San Benedetto, and died in February 1733. The present painting, attributed to Pedon, relies on the late Seicento landscape culture of Northern Italy. The artist was clearly influenced by painters like Johann...

PAIR OF LANDSCAPES "RESTING ON THE BLUFF" ATTRIBUTED TO PIETER VAN BLOEMEN (FLEMISH, 1657-1720) Unsigned, later engraved attribution plaque on each frame, executed in oil on canvas I...

Decorate an office or study with this elegant antique painting. Created in France circa 1870 and set in the original carved gilt wood frame, the artwork features a typical French "Fete Galante...

A Roman landscape oil on canvas painting with figures by Andrea Locatelli (Roma 1693-1741) Locatelli was amongst the group of landscape painters in R...

Francesco Lavagna (Italy -Naples 1684-1724) "Still life with flowers and watermelon and hermas with garden in the background" The painting, beautifully made and in good condition, d...