Antique French Pair of large Oils on Canvas Painting of Cherubs 18eme Century

This pot is in Faïence, in white and blue. They has been made in Netherlands, in the 18th century. they are Delft pieces. The creator is Adrian Pynacker, it is signed with his mark "...

Platter in Copper and Brass 2 Handle Gold and cooper Color Deutch 18eme Century

The Engravings are showing The Old town of Paris and Neuilly at the beginning. the condition of the Frames is good, and the Paper is in fair condition. You can see on the paper whic...

Graffiti street art painting. Acrylic on canvas.

This painting is from a French artist :It has been made circa 1960. It is signed The material isoil painting and it is in good condition. Main color is green, in a gilt wood frame. I...

Genuine 20th Century Pair of Water Color by G Galelli Italy Signed Dated 1938

Continental School (19th century), a pair of decorative oils on canvas depicting various wildflowers in a landscape, 15" x 19". Both framed alike in original rope-molded giltwood frames...

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

Lovely pastoral oil paintings. They will want you to visit France.

A beautiful and most charming pair of French 18th century oil on canvas paintings. Each most decorative and colorful cloud shaped painting disp...

Venetian school, 18th century Study with the head of a cherub Measures: Oil on canvas, 45.5 x 41 cm - with frame 54.5 x 49.5 cm The present qualifies as a study or preparatory sketch by virtue of the structural and figural layout; by reason of formal and substantial evidence, it can be traced back to the mature neo-Venetian style, which in the eighteenth century had begun to produce figurations of extreme typological pathetism and formal expressionism. The contemporary painting experience of Tiepolo commanded the Venetian art scene, once the lesson of Pier Francesco Mola (1612-1666) was overruled. The delicate putto head offered here, in which a cherub is recognizable due to the happy iconographic solution of the wings placed under the angel's face, is outlined with a vigorous vitalism. A foreshortened point of view illuminates his face in a grazing way, probing his features with strong shadows and with a youthful blush that orange his cheeks. The veristic perfection with which the artist arranges the semblant is of marvelous expressiveness. The eyes are swollen with intensity, and together with the general setting of the head they denounce a conscious reflection on the physiognomy, peculiar within the emerging context of Venetian painting. The painting in question is affected by the large-scale productions, both monumental and perspective, at the time in vogue in the territory of the Serenissima. Conceived through a vision from below, the portrait reveals from the Venetian Rococo that particular predilection for the open and clear, airy ways, denounced in the first instance by Tiepolo. The conscious detachment from the Cortona-style decorativism and from the repeated layout solutions then in vogue allow us to approach the present to the production of Francesco Fontebasso...

Large Antique 19th Century French Oil on Canvas Painting.