Benjamin Jorj Harris Art Deco Gouache, circa 1930s

Art Deco Art Nouveau Oil on canvas laid onto masonite depicting Birds, Male and Female Figures in tropical foliate surrounded paradise . From a Long Is...

Hal Robinson (British/American,1867-1934). 'Winter Landscape', oil on canvas, signed lower right 'Hal Robinson'. The following biography was researched, compiled, and written by Geoffrey K. Fleming, Executive Director, Huntington Museum of Art, Huntington, WV: Harry Robinson, AKA 'Hal Robinson' was a landscape painter in oil and watercolor. Though long considered an artist who was born and raised in America, his given name was not Hal, but rather, Harry. He was born in Leominster, County Hereford, England. Though American sources often report his birth year as 1875, according to his parish baptism record he was actually born in 1867. He should not be confused with the American artist Harry A. Robinson or the British painter Harry W...

Signed M. Dawson and therefore attributed to Manierre Dawson ) Oil on Canvas Manierre Dawson was primarily self-taught, although he trained as an architect. By 1908, he had develope...

Stunning Signed, Lowell Nesbitt Paper Collage and Hand Painting, 1981 Lowell Blair Nesbitt (October 4, 1933 - July 8, 1993) was an American painter, draughtsman, printmaker, and sculptor. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings. In 1958 the Baltimore Museum of Art hosted the first solo museum exhibit that Nesbitt was to have in his lengthy career, but it was in 1964 with his debut at the Corcoran Gallery of Art (Museum) in Washington, D.C. that Nesbitt received greater recognition. The array of botanical works most likely would not have been created had it had not been for the beckoning of fellow artist Robert Indiana, who, in 1962, after viewing some of Lowell Nesbitt's abstract paintings drawings and prints, suggested that he attempt to make a conversion from the abstraction which Nesbitt’s career had been focused on pre-1962, to the style of realism. Museum and government collections Lowell Nesbitt’s artwork is owned by hundreds of public collections worldwide. Those collections include, American Embassy art program; The Art Institute of Chicago, Illinois; David Geffen Hall, Lincoln Center, New York, New York; Baltimore Museum of Art, Maryland; Butler Institute of American Art, Youngstown, Ohio; Castle Gandolfo, Rome, Collection of the Vatican Museums; Cleveland Museum of Art, Ohio; Corcoran Gallery of Art, Washington, D.C. (transferred to the National Gallery of Art, Washington D.C.); Dallas Museum of Art, Dallas, Texas; Detroit Institute of Arts, Detroit, Michigan; Ulrich Museum, Wichita State University, Kansas; United States Environmental Protection Agency, Washington, D.C.; Federal Reserve Bank, Baltimore, Maryland; Federal Reserve Bank of Richmond, Virginia; Harvard Art Museums, Harvard University, Cambridge, Mass; Modern Art Museum of Fort Worth, Texas; Goucher College, Baltimore, Maryland; High Museum of Art, Atlanta, Georgia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Hunt Institute for Botanical Documentation, Canegie-Mellon University, Pittsburgh, Pennsylvania; International Monetary Fund, Washington, D.C.; Israel Museum, Jerusalem; John and Mable Ringling Museum of Art, Sarasota, Florida; Museum of Contemporary Art San Diego, La Jolla, California; Library of Congress, Washington, D.C.; Orlando Museum of Art, Florida; Massachusetts Institute of Technology, Boston; Memorial Art Gallery, University of Rochester, New York; Miami-Dade Public Library System, Miami, Florida; Milwaukee Art Museum, Wisconsin; Morris Museum of Art, Morristown, New Jersey; Museum of Modern Art, New York; National Aeronautics and Space Administration, Washington, D.C.; National Gallery of Art, Washington D.C.; American Art Museum, The Smithsonian Institution, Washington, D.C.; Te Papa, Wellington, New Zealand; New York City Center, New York; Oberlin College, Ohio; Oklahoma City Museum of Art, Tulsa; Parrish Art Museum, Southampton, New York; Ludwig Forum für Internationale Kunst, Germany; Philadelphia Museum of Art, Pennsylvania; The Phillips Collection, Washington, D.C.; Centre national des arts plastiques, Paris, France; Renwick Gallery, Smithsonian Institution, Washington D.C.; Saginaw Art Museum, Saginaw, Michigan; San Antonio Museum of Art, Texas; SEB Group, Goteborg, Sweden; Temple University, Philadelphia, Pennsylvania; Thyssen-Bornemisza Museum; Tucson Museum of Art, Arizona; Twelfth Naval District, Treasure Island Museum, San Francisco, CA; United States Department of the Interior, Washington, D.C.; University of Maryland, College Park, Maryland; University of North Texas, Denton, Texas; University of Virginia, Charlottesville; Washington and Lee University, Lexington, Virginia; Worcester Art Museum, Worcester, Massachusetts; and Yale University Art Gallery, Yale University, New Haven, CT.[10] Nesbitt was often classified as a Photorealist artist, though he fought inclusion with this group of artists throughout his career. Nesbitt established himself as an artist who could employ both diversity of technique and subject matter while creating paintings, drawings and prints using studio interiors, articles of clothing, piles of shoes, x-ray figures (Nesbitt was the first highly recognized artist to use this subject matter since the artists of the New Zealand region unknowingly painted "x-ray style" figures at the early portion of the last millennium), caverns, ruins, landscapes, flowers, groupings of fruits and vegetables, and electronic components (he is credited for being the first artist to use computer parts as subject matter for his artwork). He also used his pet dogs in addition to birds, reptiles, various mammals and the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges, in addition to a number of series in which he incorporated numerous Victorian staircases...

Robert R. Anderson (American,1946-2010). 'The Building of a Queen.' Acrylic painting on canvas, 1980.  Signed upper left. Title, signed and dated on stretcher to verso. Paper labels ...

Signed Ken Gore Oil on Canvas Painting . Titled on Verso "Riders on the Bridge". Ken ( Kenneth Leon) Gore was born in 1911 in Illinois. He studied at the Meinzinger Art School in Detroit. He was an important member of the Rockport/Gloucester art...

Benjamin Jorj Harris, Newman Decor - American Art Deco airbrush painting on illustration board - featuring an over-sized group of white gardenia blossoms ...

Galloping Horses, airbrushed watercolor by Benjamin Jorj Harris (American, 1904-1957) for Newman Decor. Dimensions shown are for frame. Sight: 35...

Artist Benjamin Jorj Harris Birth: 1904 Death: 1957 Lived/Active New York Often known for Illustration-watercolor Features: 1940s da...

An extraordinary example of Art Deco painting with allegorical meaning -- like so many murals painted in the 1920s and 1930s -- this large work by William L'Engle depicts five nude male figures laboring in the field, symbolizing life in Provincetown, Massachusetts. A Black male figure in the foreground is planting crops, while two other figures in the distance are pulling a rope, perhaps alluding to fishing boats tied up at the dock, while another nude seems to be sinking into sleep beneath a pier -- all with the waters of the Atlantic Ocean in the background. L'Engle called this "The Five Josephs," perhaps referring to Joseph of Arimathea and other figures in the New Testament. William L'Engle was a towering figure in the Provincetown art colony, and was extremely well connected with America's artistic elite, starting with his trip to Europe as a young man with Waldo Pierce and George Biddle. Over time, William and his life Lucy became close to a wide range of important figures in painting, theater and the arts, including Charles Hawthorne, Eugene O'Neill, Gerrit Beneker, John Dos Passos, Edmund Wilson and Mary McCarthy, William and Marguerite Zorach, Edna St. Vincent-Millay, Charles Demuth, Childe Hassam, George Biddle, Edwin Dickinson...

Art Deco painting in oil on canvas illustrating a young nude woman, pensive, half lying down, in front and the face resting on her right hand. Her skin is clear and she wears a short hairstyle in the fashion of the 30s. A certain light emanates from this work which takes up a classic theme of Western art: the female nude. This Art Deco painting is not signed but can be linked to the work of the French...

Oil on canvas painting by Emil Fiala (1869-1960) with the motif Gladioli in a glass vase. Signed by Emil Fiala Prof. Emil Fiala had many exhibitions and the membership of the Künstle...