Don Clausen, Abstract Oil Painting on Canvas, Signed and Dated, 1976

A fantastic 1956 cubist figural oil painting on canvas titled “Prince Aldobrandini” by well-listed Swiss artist Olivier Henrie Charles (b.1931–2013)....

A poignant 1960s oil painting on canvas depicting a young boy on a stationary carousel by important mid-century American artist Herbert Laurence Davidson (b. 1930–2018). A characteristically sensitive portrait by the artist, with his subject's red-eyed expression and dejected body language suggesting that there would be no more rides that day. With a well-earned reputation as a skilled American Realist, the short, finely hashed brushstroke technique that Davidson employs to achieve a detailed, luminous effect is all the more impressive upon closer examination. Signed "Herbert Davidson...

A very large 1970s acrylic on canvas framed painting of a sailboat breaking the waves, signed “Taylor”. Bright, sunny scene dominated by a towering, fully billowed spinnaker with ey...

A signed late 1970s/early 1980s large abstract impressionist cityscape oil painting on board titled “Near the Zócalo”, by American artist Margaret Smith. The Zócalo is the common na...

A 1980 oil glazes over acrylic polymer on canvas trompe l’oeil contemporary realism painting titled “Composition in Three Tones” by notable Los Angeles-based artist, professor, and designer Don Paglia. Extremely realistic yet deceptively unassuming depiction of a rustic and weathered grey wood door reveals impressive touches, textures, and techniques the longer and closer one looks. Narrow black gap between door and frame offers a glimpse at the canvas upon which a thin layer of acrylic polymer has been applied to simulate the look and feel of real wood grain. Finished with glossy oil paint glazes that provide color, shading, and highlights to the wood, doorknob, and other delightfully discoverable details such as exposed nail heads. While the artist’s keen eye, skillful technique, and inventive use of media look great when seen from straight on, they become even more impressive when viewed obliquely and one can appreciate his meticulous recreation of naturally textured materials. Paglia’s distinctive logotype-like signature and date ("'80") is at lower right. Verso with title, media, and name written on canvas, as well as two paper tags from a previous unknown gallery describing the same. In original varnished dark brown wood frame. Dimensions listed are overall; art is H 24.5 in. x W 17.88 in. The following incredibly interesting and impressive artist’s bio is taken from the website of TAG (The Artists Gallery) in Los Angeles, who represents Don Paglia and offers many more of his paintings and sculptural works: “Los Angeles native Don Paglia is currently Emeritus Professor of Pathology and Laboratory Medicine at the UCLA School of Medicine. He served as Fulbright Senior Research Scholar in Sub-Saharan Africa and continues to conduct research on medical problems threatening rhinoceroses and other exotic wildlife. Initially a self-taught artist, he received formal training in multiple media under the singular influences of UCLA’s Joe Blaustein and Jan Stussy. He was appointed to the NASA Art Program to document the 1983-84 mission of space shuttle Columbia. His paintings, drawings and sculptures have been exhibited regionally and nationally and have received eleven Best-of-Show awards. They have been included in exhibitions at the Smithsonian and Los Angeles Air & Space Museums, Kennedy Space Center...

A tall and captivating mid-century expressionist oil painting portrait of a cornette-wearing nun, signed “McClelland”. Viewed in profile against a rich emerald green background, with just a hint of her plain face peeking out from under an enormous white cornette that dominates the top half of the painting. The crisp shape of the broad white collar on her habit provides a nice visual balance, and contrasts strikingly with the deep cobalt blue of her blouse that trails off into long, blood red-tinged drips. Interesting textures are on display throughout, provided by the artist’s varying brushstrokes, thickly applied paint, and the underlying board—which is likely plywood—upon which the work was done. Signed and dated 1969 at bottom right. In a custom giltwood frame that we would guess dates from the 1980s. Dimensions listed are overall; sight is H 47.5 in. x W 23.5 in. Made famous in American popular culture by Sally Field as Sister Bertrille in the beloved 1967 televising show “The Flying Nun”, heavily starched cornettes—a type of wimple—were a signature piece of clothing worn by the Daughters of Charity, a Roman Catholic society of apostolic life founded by St. Vincent de Paul in the mid-17th century. In the United States, the Daughters of Charity wore them from 1850 to 1964, at which time their nun habits...

Mixed-media painting by Don Clausen (1930 - ), dated 1971. Painting is on wood. Don Clausen is/was active in California and is known for abstract expression. He uses a palette knife ...

Large and powerful piece by Dutch artist Joop Vreugdenhil. A piece from his early career. Although abstract in composition, upon a closer look one can see hints or architecture Abou...

Bräuner, Oil on canvas signed and dated 53.

C. Bogaert, oil on canvas signed and dated 1975.

Signed by Artist Mid-Century Modern abstract painting in oil on canvas in hues of earth tone colors. The fine Art is dated 1976 and made in ...

Fine nature morte painting, signed and dated '31, oil on canvas.