Donald Roberts Aureole Project Azure 1966 MCM Formica Sandblasted Painting 43"

Vintage Spanish conquistador Don Quixote portrait on board by Ashbrook Studios featuring a vibrant screen print embellished with oil painting. Ashbrook Studios, was in business from...

Vintage oil on canvas expressionist / semi-abstract cityscape painting of New York City and the Brooklyn Bridge by Robert Lebron. Signed in lower right. Framed in a gilded double fra...

A large and impressive nautical maritime oil painting on canvas executed by Robert Sanders showing a barque / galleon / clipper ship flying Austria and ...

Large vintage black and white Springer Spaniel wooded landscape oil painting on canvas, after John Wootton. Framed in ebonized black frame with gold accents. John Wootton (c.1686– 13 November 1764)[1] was an English painter of sporting subjects, battle scenes and landscapes, and illustrator. Life Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), he is best remembered as a pioneer in the painting of sporting subjects – together with Peter Tillemans and James Seymour[2] – and was considered the finest practitioner of the genre in his day.[1] As such, his paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of Great Britain, Frederick, Prince of Wales, and the Duke of Marlborough. It is likely that he received artistic training from Jan Wyck before 1700.[1] Wootton may have begun life as a page to the family of the Dukes of Beaufort. His earliest surviving dated work is the equine portrait Bonny Black (1711).[1] He remained active until his death in 1764, based in the capital of English horse racing at Newmarket, and producing large numbers of portraits of horses and also conversation pieces with a hunting or riding setting. He acquired a classicising landscape style based on that of Gaspard Dughet, which he used in some pure landscape paintings, as well as views of country houses and equine subjects.[1] This introduced an alternative to the various Dutch and Flemish artists who had previously set the prevailing landscape style in Britain, and through intermediary artists such as George Lambert, the first British painter to base a career on landscape subjects, was to greatly influence other British artists such as Gainsborough.[3] He is now somewhat eclipsed in the field of animal paintings by the later George Stubbs (1724–1806), who is considered technically superior. John Wootton died in London on 13 November 1764. Examples of his animal painting can be found in the Tate Gallery, London, the Virginia Museum of Fine Arts, Richmond, the Yale Center for British Art, in the Elizabethan Great Hall at Longleat and in The Portland Collection...

Impressionist architectural painting of a colonial porch reminiscent of New Orleans with rocking chairs under a balcony, oil on canvas signed by artist Pat Mayhew...

Mid 20th century oil on board landscape painting by William Thon titled "Mountain Town, Calabria," No. 841. Shows a sweeping abstract expressionist landscape featuring the white stucco buildings of a town perched on the green and gold hills of Calabria, Italy, with a backdrop of blue mountains melding with the sky. Signed lower right corner. Label on reverse from Midtown Galleries (New York, New York). Rustic wood frame with red stained recessed bevel and white linen mat. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space Program...

Painting by M. Hank from 1966. Dimensions: Frame: height 78 cm / width 66 cm Image: height 68 cm / width 48 cm

Robert Natkin- Rare Original 1966 Work in Charcoal 9657 ( 21"W x 26"H - Art: 12.75"W x 17.75"H ) There were a number of Works done in this style in the mid-60s, but this is the only...

Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout his career he was juried into more than 40 local, regional, national, and international shows. He also p...

Subway Series.

Oil Painting by Arne Heuser, 1966 Additional Information: Style: Mid century, Scandinavian Dimensions (W x H): 98 x 148 cm Condition: Good vintage condition, with signs of usage

A nice brownish hued abstract by the noted artist Arnold Weber (1931-2010). The abstract is not framed. It is signed and dated 1966 on the bottom.