Reply of the Zaporozhian Cossacks to Sultan Mehmed IV Painting after Ilya Repin

Emanuel Oberhauser (Austrian, 1854-1919) an exceptional quality full length oil on canvas painting of a Young Orientalist Queen or Odalisque, 19th c...

A monumental French patinated bronze bust of William Shakespeare, after Houdon, by F. Barbedienne Foundry, circa 1870. Masterfully and realistically sculpted in solid bronze, this...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

A large pair of Meiji Period Japanese cloisonne enamel vases attributed to Goto Seizaburo, 19th century. These vases were made during the Meiji period (1868-1912) in Japan and are...

An impressive empire style malachite and ormolu center table after the imperial model by Francois Honore Georges Jacob-Desmalter, 1770-1841. "AUX CARIATIDES", Empire style round malachite and ormolu table inset within a profiled bronze border sitting on four distinctive caryatid supports on a round base with a central vase. Magnificent quality. A one of a kind, statement table perfect for any home. Measures: 34" high x 44" wide Good condition, ready to place. One of the most important and influential families of cabinet-makers who led fashion and standards from 1765 to 1847. Their work encompasses three generations of the family, from George Jacob (the founder, 1739-1814), to his two sons Georges II (1768-1803) and François-Honoré-Georges (1770-1841), and finally his grandson Georges-Alphonse (1799-1870). They ran one of the most successful and influential furniture workshops in Paris George Jacob (Senior) was one of the most prominent Parisian master menuisiers, producing carved, painted and gilded beds and seat furniture and upholstery work for the French royal châteaux, in the early Neoclassical style that is usually associated with Louis XVI. He retired in 1796, leaving his workshop in the hands of his sons, but when George II died, Jacob returned from retirement to oversee the constant supply of furnishings for Napoleon's residences. François-Honoré-Georges Jacob-Desmalter was the principal supplier of furniture to the Emperor and also received commissions from Pauline Borghese...

Oil on board, New York, circa 1950. Depicting a standing bearded man wearing his tzitzis over his shirt pumping water to his horses. Signed lower right “I. Schor”. Ilya Schor (1904-...

Oil on board painting off five (5) Cossacks. signed possibly Martin Galambos dated 1914. Original wood frame with some chips and loss from age. Measures: 32"wide by 19" tall. Excell...

Original 19th century orientalist painting depicting the Sultan’s concubine in the Harem by Antonio Rivas. Signed A. Rivas (CR) A...

Babe Ruth — The Sultan of Swat Original painting by Lynn Curlee Acrylic on stretched canvas. Gallery wrapped with painted edges. This painting was used as...

The picture is painted with oil paint on canvas. Origin : Scandinavia Dimensions: Frame: height 58 cm / width 45 cm Image: height 54 cm / width 41 cm

This is a very decorative Victorian period Crystoleum picture after A L Vernon called The Messenger to The Heiress and dating to the late Victorian period,...