Spanish 16th Century Saint John The Baptist Fresco

Wonderful later 19th century oil on board painting of the "Mill of Saint-Ouen in 1850 before transformation into a GINGUETTE on an arm of the Seine river......" Saint-Ouen, is where ...

An intriguing Italian 17th century oil on canvas painting. A skeleton with a cornucopia of gold pieces. Divittarum Jactantia Quid - "What is the boasting of the rich?".

A very striking and stunning early 19th century architectural oil painting - a landscape from Tuscany, Italy. Gorgeous color.

A stunning early 20th century oil on canvas landscape painting of a scene in Aix En Provence housed in a beautiful gold gilt frame. Wonderful color and brushwork.

A very delighted oil on canvas painting by Roland Dubuc (1924 - 1998). A charming scene of the Cafe Bar Tabac - L'Irrondelle - Cafe The Swallow. Lively bright colors and wonderful br...

A monumental 18th century Oil On Canvas Painting from Lucca, Italy. Delightful soft color and hues with handsome cracquelure. The painting will be the statement of its surrounding.

Architectural oil painting on canvas of Heydon Hall executed in a rustic naive style with contrived aging and presented in a maple frame. Signed Dan Dunton.

A Flemish School painting of the Adoration of the Child Jesus in the hands of Mary and a young Saint John the Baptist at his feet kneeling with the cross side by side with a resting ...

This painting very much of the period of George Jamesone, although with a continental flavour, it is worth considering this artist. He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine worked alongside or at the same period as Jamesone. Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

Salome receiving the head of Saint John the Baptist 17th century painting Frame dimensions : 115 x 133 x 6 cm.

18th century continental eglomise painting of St John the Baptist preaching. Eglomise is a method of reverse painting on glass. In a go...

Faithful to the traditions, the scene depicts the New Testament scene of the two Holy figures of John the Baptist and Jesus meeting with all the symbolism of both holy lives. A Fle...