Historic San Francisco Photograph by William Keith

Photograph titled "Cupid Awake" and "Cupid Asleep" by American photographer Morris Burke Parkinson. Dated 1897. Retains original tiger oak frame. M. B. Parkinson (1847-1926) Morris Burke Parkinson was an American photographer, best known for his "Cupid Awake" and "Cupid Asleep" photos, which were supplied in frames produced by the Ohio Art...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Scarce, Silvertone clock radio. Made by the Colonial Radio Company in 1931 and retailed under the Silvertone name by Sears Roebuck Company. Exceptional con...

A whimsical, kitschy 1950s hula dancer lamp holding a basket of faux flowers. Constructed of rope, grass and wood. Hand painted. Complete and working.

Extraordinary example of WWl Trench Art. Historical significance as this vase is signed by the soldier that crafted it, "Lieutenant Thorburn" including regiment "62nd Reg" and date "1918-19". Also inscribed A. E. F. The AEF helped the French Army on the Western Front during the Aisne Offensive (at the Battle of Château-Thierry and Battle of Belleau Wood...

A transitional Art Nouveau / Arts & Crafts gong made of solid hammered copper and brass. Circa. 1910. Striker is not original to gong.

Barney Oldfield photo by Howe and Arthur.

Edition: Keith Haring Sumo-size: 50.0 x 69.0 cm (19.7 x 27.2 in.), 476 pages, hardcover (incl. six fold-outs) with supplement book (INT-Edition) and bookstand designed by Marc Newson Editor: Annie Leibovitz, Benedikt Taschen, Simone Philippi Contributing authors: Steve Martin, Graydon Carter, Annie Leibovitz, Hans Ulrich Obrist, Paul Roth Limited to a total of 10,000 copies, all signed by Annie Leibovitz: (No. 1,001–10,000 Collector‘s Edition) is available in 4 different dust jackets that collectors can choose from: Whoopi Goldberg; Keith Haring; David Byrne and Patti Smith and (No. 1–1,000 Art Edition) is limited to 1,000 copies, bound in leather, each numbered and signed by Annie Leibovitz, comes with all 4 dust jackets and a fine art print: Keith Haring, New York City, 1986, size: 50,0 x 69,0 cm (19,7 x 27,2 in.) The ultimate portrait collection of the most famous celebrities, by the most well known photographer in the world, from Annie Leibovitz's 40 years in photography (including a large number of previously unseen images from her archives). 500 of the most celebrated people from the worlds of music, cinema, TV, art, fashion, theater, literature, politics, and sports are featured in a size, scale and printing quality never before seen. 240 photos in total. Comes with specially designed limited edition Marc Newson book stand...

The treasury of San Marco, Venice by David Buckton. Olivetti, Metropolitan Museum of Art, 1984. 1st Ed hardcover with dust jacket. Catalogue of the exhibition held at the Grand Palai...

The land and people of Morocco (Portraits of the nations series) Hardcover – January 1, 1973 by William Spencer (Author) Introduces the land, histo...

Fred Herzog: Vancouver Photographs by Fred Herzog. Signed Edition exhibition catalog (Vancouver Art Gallery January 25-May 13, 2007). 160 pages with numerous color photographs throughout. "Iconic and influential color images of Vancouver street life from a master photographer who has spent the past fifty years documenting the city, published to coincide with a major exhibition of his work. His eye dwells on the raw urban underbelly of the city: second-hand shops, vacant lots, barber shops and greasy spoons, crowded with people and their stuttering dreams. Since he arrived in Vancouver from Germany in 1953, Fred Herzog has roamed the city's back streets with his camera. Herzog draws upon documentary traditions while incorporating an outsider's sensitivity to a new environment. His color images of street life in the 1950s and '60s prefigure the "New Color" of photographers such as Stephen Shore and William Eggleston. The text includes essays by Grant Arnold...

William Klein, portfolio magazine. Special edition. 110 pages, 1997. Softcover. 11x14 inches. Some very minor wear otherwise excellent condition. A retrospective of photographs by...