1620 Elegance: The Attire of a Painter's Muse Engraved, circa 1756

The engravings offer a valuable glimpse into the traditional dress of the Mordvin people, an ethnic group from the region of Mordovia in Russia. The "Picturesque Representations of t...

The two engravings vividly capture the traditional attire of the Kirghiz, a group native to the steppes of Central Asia. 1. The first engraving portrays a Kirghiz man mounted on hor...

Antique map titled 'Die stadt Enchuijsen.' Detailed copper engraved city map of Enkuizen, the Netherlands, by Lodovico Guicciardini and published by Janssonius. Highly decorated with...

A fine example of an 18th-century botanical engraving. Created by Carlo Antonini between 1777 and 1790, it showcases a detailed depiction of a flower in full bloom. The illustration is highly detailed, with individual petals, stamens, and shading rendered with precision, indicating a high level of craftsmanship and attention to detail that was characteristic of botanical illustrations of the period. The image is likely part of a larger work, perhaps a botanical compendium or study, which would have been used for both scientific study and artistic appreciation. The text at the bottom of the print, "Rarone Antico nel Foro di Nerva," analysed: The phrase "Rosone Antico nel Foro di Nerva" could potentially be translated as "Ancient Rosette in the Forum of Nerva." Breaking down the phrase: - "Rosone" typically refers to a "rose window," a large circular window with mullions and tracery radiating in a form suggestive of a rose, commonly found in Gothic architecture. However, in this context, without the surrounding content, it might refer to a specific design or feature that is described as "antique" or ancient. - "Antico" means "ancient" or "antique," indicating that the item or feature referred to as "Rosone" is of historical significance or from a past era. - "Foro di Nerva" refers to the Forum of Nerva, which is one of the Imperial Forums in Rome. Therefore, the phrase seems to describe an ancient or historically significant rosette (or possibly a design or feature similar to a rose window) located in the Forum of Nerva. This might be referencing a specific architectural detail or decorative element that was part of the forum's structure or adornment. For a detailed analysis or historical context, you would typically need to consult historical texts, architectural studies, or archaeological reports related to the Forum of Nerva. The style of the print suggests that it was created using engraving techniques that involve incising a design onto a hard surface (like a copper plate), which was then inked and used to produce the image on paper. This method allowed for reproductions of the design and was commonly used for scientific illustrations because it could capture intricate details with great accuracy. Such prints would have been important in the 18th century for the dissemination of botanical knowledge, contributing to the fields of botany, horticulture, and medicine. They also reflect the Enlightenment's value on reason and empirical evidence, where plants were not only appreciated for their beauty but also studied for their structure and utility. Carlo Antonini's notable work includes a series of 85 etchings that were published in Rome in 1780, dedicated to Count Stanislao Potocki. This collection, titled "Serie di LXXXV disegni in varie grandezze composti dal celebre pittore Salvator Rosa publicati ed incisi da Carlo Antonini," consists of reproductions of Salvator Rosa's 'Figurine' series and other prints. It includes various pieces like a title-page with a coat of arms, a dedication, a preface, and several other individual works ranging from small prints to larger ones, such as depictions of mythical and historical scenes. The etchings were printed in sanguine ink, indicative of the period's artistic preferences for printmaking. These works are an example of Antonini's precision in reproducing another artist's work and are recognized for their faithfulness to Rosa's original designs. Additionally, Antonini is associated with other works such as the "Manuale di varj ornamenti componenti la serie de' vasi antichi," a collection that includes designs and engravings of ancient vases, and prints dedicated to the Duomo Di Orvieto. Another significant piece is his engraving titled "Prospetto degli Orti Farnesiani sul Monte Palatino," which was created in collaboration with Francesco Panini...

Antique map titled 'Isole Molucche'. The map depicts the East Indies and Indochina, including modern-day Indonesia and the Philippines. The area covered stretches from the Bay of Bengal...

Title: "Elegance in Black and White: Viverra Mephitis Linn." Description: This hand-colored print, meticulously drawn by J. Hle and engraved by J. Beck, features 'Viverra Mephitis L...

Set of Three Hand Colored Copper Wheel Engraved Floral Prints by John Hill c1756. One print signed in the plate, "I Hill." Published in England and hand colored. From an edition of 6...

Page 8 from Issac Ware's book "A Complete Body Of Architecture, Adorned With Plans and Elevations, From Original Designs, By Isaac Ware, Esq. Of His Majesty's B...

Early 20th-century English paint sample board in a thin, rounded mahogany frame. This would have been used by a painter of material trompe l'oeil to show potential clients the number...

Collection of Vintage Artist's Palettes, American, circa 1940s - 1960s. The largest palette measures 15.5"H x 19.5"W. The smallest measures 7.5"H x 10.5"W.

Beautiful engraving entitled the painter in love with his model engraved by J. B. Michel. It is enhanced with watercolour. It represents a painter in his studio in full creation in f...

Vintage Dutch plant holder in black and yellow steel rod with faux-rattan wrap.