Antique Satirical Print of the John Law Wind Trade & The Finance Crisis, c.1720

Antique print titled 'De Meerman van 't Noorder Gewest als Opper Directeur der zee-plaat verkruyers van het verkeerde Pampus beslaande de Achterhoede van het Papiere Actie-Schouburgs...

Antique print titled 'Buonaparte au Mont St. Jean, fait usage de son talisment ordinaire'. Rare satirical print of Napoleon fleeing from the battlefield. He is similarly dressed except that he wears a cuirass, the back and front joined by straps, and his empty scabbard hangs at his side. He looks over his shoulder at his little son (right) who runs after him, holding up a toy windmill on a stick. Napoleon's sabre and star of the Legion of Honour lie on the ground (right). The child, styled in France during the Hundred Days Prince Imperial...

Antique print titled 'Run Neighbours Run - St Al_ns is Quadrilling It'. In this print, the Duchess of St Albans dances a quadrille (a dance performed by four couples) with an unidentified naval officer, whose dancing steps resemble those of the hornpipe, a dance popular among sailors. The other three couples of the quadrille stand around them, looking on. All of the figures are fashionably dressed, with the Duchess' clothing being particularly extravagant. Harriot Mellon, Duchess of St Albans, was a former actress who married the elderly banker Thomas Coutts in 1815. After Coutts' death, she remarried to the Duke of St Albans in 1827, causing a scandal due to his being 23 years younger than she. Mellon, the richest woman in Britain after her husband's death, was a philathropist and patron of the arts, but was a controversial figure in fashionable society due to her humble origins. Satirical prints...

Antique print titled 'Le Temps qui te passe t'approche du jour auquel tu dois rendre compte du Temps que tu auras passé'. Copper engraving of the Allegory of Time...

Untitled antique print of various dogs. Source unknown, to be determined. No signature. Published circa 1720.

Antique print titled 'Bachelor of Laws. Portrait of a Bachelor of Laws made after a drawing by Thomas Uwins. This print originates from 'Ackermann's History of Oxford and History of ...

Seven prints from the 1857 re-edition of Thomas Rowlandson's visual satire "The Comforts of Bath". Each print by the famed British caricaturist chronicles an escapade of the prot...

Sensational image by John Martin. Steel engraving after a drawing by John Martin. Published by Sangster Unframed. Repair to a minor tear top edge of margin

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Great image of a racehorse. Chromo-lithograph. Original colour. Published by Mackenzie. C.1890 .

"Antique mid to late 19th century colored lithograph print of Myiabeillia typica (Abeille's Hummingbird) drawn by John Gould, lithographed by H.C. Richter, printed by Hullmandel & Walton. From A Monograph of the Trochilidae, or Family of Hummingbirds, published in London circa 1849-61 (supplement printed 1880-87). “John Gould was a prolific illustrator of ornithology and was noted for the beauty of his illustrations. During his lifetime he was responsible for the illustration of over 2,200 different species of birds from around the world. The work for which he is best known is his Monograph of the Trochilidae or the ""Family of Hummingbirds"", which was produced between 1849-1861. Each hand-colored lithograph, many of which are highlighted with shimmering iridescence, presents the tiny jewel-like birds visiting lush flowers and foliage.” “Henry Constantine Richter (7 June 1821 – 16 March 1902) was an English zoological illustrator who produced a very large number of skillful coloured lithographs of birds and mammals, mainly for the scientific books of the renowned English 19th century ornithologist John Gould. Many of the original drawings used by Richter as the basis for his coloured lithographs were by Gould's wife, Elizabeth Coxen, produced before her death in 1841.[1][2] Richter's reputation was overshadowed by that of his much-celebrated employer. Since it was not customary to acknowledge illustrators alongside authors in the titles of publications, his name was forgotten. But in 1978, his great ability and the extent of his contribution to Gould's work came to light, in the work of the researcher Christine E. Jackson.” “Hullmandel & Walton – Lithographic printers, in London. According to BBTI this partnership operated from 1818...

Great image by Thomas Rowlandson Copper-plate engraving with original hand colour Published by Thomas Tegg, 1808 Unframed.