C. 1625 After Antoine de Pluvinel, "Henry IV, Mounted", Hand Colored Engraving

A hand-colored aquatint engraving dated January 1, 1825 and engraved by T. Sutherland, London. Titled "South Sea Whale Fishery", after a painting by Will...

Henry Thomas Alken (1785-1854) artist, a fox hunting lithograph: "In Full Cry Yoi Forward". Engraved by F. C. Lewis. Published by Tregear & Co. 90 C...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

[English Gentlemen], from Vanity Fair twelve chromolithographs, on wove papers. Printed by Vincent Brooks Day & Son., with various dates from 1875 to 1897. Eight are by Spy, two are by Ape, one by "T" and one by Lib. Professionally framed with black and gilt frames and beige silk mats, with margins, apparently in excellent condition, not examined out of the frames. Titles comprise: "Accrington", June 11, 1892, "Newcastle Upon Tyne" July 18, 1893, "A New Peer", October 5, 1878, "South Bucks", June 4, 1896, "South Kensington", September 2, 1897, "Lord Salisbury's Manners", July 13, 1893, "The Blister", August 4, 1888, "A Postmaster General", April 30, 1892, "Sir James Miller", September 6, 1890, "Sol", October 28, 1897, "A Young Man" September 11, 1875, and "A Naturalist", September 9, 1882. Vanity Fair was a weekly magazine published in London, founded & edited by Thomas Gibson Bowles. His aim was to expose to contemporary vanities of Victorian society. From 1868 to 1914, full page colour lithographs appeared in most weekly issues, frequently lampooning or lauding their subjects which included artists, athletes, royalty, politicians, scientists, authors, actors, sportsmen, lawyers, diplomats, soldiers, clergy, scholars and other celebrities of the day - mostly British, but also many other internationally significant personalities. Over 2,300 of these colour cartoons were printed, and they are considered the chief cultural legacy of the magazine, forming a pictorial record of many of the most significant public figures of the period. They are renowned throughout the world and highly collectible and recognisable. Famous artists contributed to Vanity Fair, typically under pen names. The best remembered today is Leslie Ward (1851-1922), who signed his works as "Spy", and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to simply as "Spy Cartoons...

Antique print titled 'DAME DE LA COUR DE HENRI IV' Original antique print of Woman at the court of King Henry IV of France. This print originates from ' LA MÉSANGÈRE, Pierre and LANTÉ, Louis Marie. Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900. This beautiful work tracing changes in French costume...

Original antique print of opossums. Originates from Bertuch's 'Bilderbuch für Kinder'. In 1790 Friedrich Justin Bertuch started his biggest book-project ever. Issued in 12 volumes it...

Antique print titled 'ELISABETH' Original antique print of Elisabeth, daughter of Henry II of France. Elisabeth of France or Elisabeth of Valois (2 April 1545 – 3 October 1568) was Queen of Spain as the third spouse of Philip II of Spain...

Antique print titled 'MADAME DE SEVIGNE' Original antique print of Marie de Rabutin-Chantal, Madame de Sévigné. Marie de Rabutin-Chantal, marquise de Sévigné (5 February 1626 – 17 April 1696), also widely known as Madame de Sévigné or Mme de Sévigné, was a French aristocrat, remembered for her letter-writing. Most of her letters, celebrated for their wit and vividness, were addressed to her daughter, Françoise-Marguerite de Sévigné. She is revered in France as one of the great icons of French 17th-century literature. Marie de Rabutin-Chantal was born in the fashionable Place des Vosges (then called the Place Royale), Paris, to an old and distinguished family from Burgundy. Her father, Celse Bénigne de Rabutin, baron de Chantal, was the son of Saint Jane Frances de Chantal, a friend and disciple of Saint Francis de Sales...

Antique print titled 'CHARLOTTE- MARGUERITE DE MONTMORENCI' Original antique print of Charlotte Marguerite de Montmorency. Charlotte Marguerite de Montmorency (11 May 1594 – 2 Dec...

Antique print titled 'MADEMOISELLE DE LIMEUIL' Original antique print of Isabelle de Limeuil, a French Noblewoman . Isabelle de la Tour, Lady of Limeuil (c. 1535 – 25 March 1609) ...