Large Gilt Framed Art Deco Era Chrome Lithograph of the Adoration of the Magi

This signed and numbered lithograph was done by the very well known British artist and sculptor Henry Moore in approximately 1980-1982 in his Modernist style. This lithograph comes f...

This antique print in its original frame was copyrighted by George Henry Patnoe & Henry Brown of Canada in 1909 in a Victorian style. The print depicts the symbolism of the Lodge and...

This lithograph was done by the well known Karel or Karl Appel of the Netherlands in 1973 in his Modernist style. The print is done in vivid colors and is pencil marked "EH" on the b...

This silver or chrome plated champagne bucket is unsigned, but presumed to have originated from France and date to approximately 1960 and done in a Renaissance Revival style. The champagne bucket was made to advertise or commemorate the highly respected Louis Roederer...

This pair of framed prints were done by the well known Indigenous artist Patrick Amos of Nootka, British Columbia Canada in his signature West Coast Haida style. Each of the prints i...

This signed and numbered lithograph was done by the renowned Joan Miro of Spain, and dates to 1976 and done in his Abstract Modernist style. This large lithograph is titled "Bonjour ...

Antique print titled ‘Histoire Sainte, Nouveau Testament, Adoration des Mages.’ This plate shows a scene from the New Testament; The Adoration of the Magi.’ This print originates ...

Antique print titled 'The Adoration of the Magi'. Original antique print on chine collé, made after the painting by Luini. Source unknown, to be determined. Published circa 1890.

Antique print titled 'The Adoration of the Magi'. Original antique print on chine collé, made after the painting by Gentile da Fabriano. Source unknown, to be determined. Published c...

Antique print titled 'The Adoration of the Magi'. Original antique print on chine collé, made after the painting by Ghirlandajo. Source unknown, to be determined. Published circa 1890.

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Pablo Picasso (1881-1973) Framed Offset Lithograph of the Linocut print entitled 'Before the goading of the bull' published in New York circa 70s/80s. Signed with a Stamped Signature...