"Le Croquet" Etching and Drypoint 1878 French Artist Jacques Tissot

Percy John Delf Smith 1882-1948 artist print maker and expert typography. Etching /engraving 3/30 titled "Stacking Hay". Signed in pencil. Frame has some wear. Very nice condition. D...

Brice Marden tile set of 4, Circa 1979. Four framed Etchings with Aquatint on Somerset Satin Paper. All tiles are signed and numbered from an edition of 50 published by Parasol Press, LTD, New York. The Art has been vetted by 1st Dibbs...

This etching by John Taylor Arms is titled "Gargoyle Studies." John Taylor Arms(1887-1953) was a famous printmaker in the early 20th century. The image is 3" x 3" and framed and matt...

This etching by John Taylor Arms is titled "Paris Sentinels." John Taylor Arms(1887-1953) was a famous printmaker in the early 20th century. He studies to be an architect and thought...

James Brown Modern 4 Etching Faces in Black and White. Four framed Etchings each numbered 30/35 and signed. Circa 1985 creation. Good condition. The above art has been vetted by 1st Dibbs and guaranteed to be authentic. Image measures 19" W x 21" H; Overall dimensions with the frame are 27.50" W x 32" H. James Brown was born in Los Angeles, CA in 1951. He studied in Paris and took themes from Tribal Art to create Modern works. He was highly known for his face interpretations. He died due to a car accident...

Large framed Peter Max print signed in graphite lower right marked artist proof, lower left. Depiction of artists iconic image of Toulouse Lautrec. Bac...

"Les lions et lionnes à la rivière" (Lions at the river) Etching and drypoint by Odette Denis, signed framed (41x47 cm)

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

"Les lions et lionnes à la rivière" (Lions at the river) Etching and drypoint by Odette Denis, signed framed (41x47 cm)

1924-2002 A rare and late piece of art on paper by one of the great abstract ceramic artist of California. A nice print image of a stacked sculpture idea in textured sgraffito. The ...

Milton Avery (American, 1885-1965) "Sleeping Baby (Study of March Avery)", 1933, drypoint etching on paper, signed and dated in pencil lower right, numbe...

Grooming Black Panther, by Odette Denis Signed "O. Denis" Etching and drypoint Professionally framed Nonreflecting glass in museum quality Wooden frame France, 1950s Dimensions ...