Brass Prints

🎨 Introducing a Timeless Masterpiece: "Bathers, Asnières" Print by Georges-Pierre Seurat 🎨 Step into the world of French Post-Impressionism with our exquisite print featuring a ca...

Giorgio De Chirico Melanconia torinese, 1950. Vintage Centro Tornabuoni exhibition poster in original brass frame. Italy, 20th Century. Dimensions: 29" H x 21" W x .75" D

Beautiful original print by David Weidman ED of 250, signed and numbered David Weidman's (1921-2014) work is easily recognizable and emblematic of midcentury graphic design. This is ...

Set of four original 18th century copper-engraving of celestial charts etchings issued by Homann. Doppelmayr is the cartographer, astronomer and mathematician. He held the post of Professor of Mathematics at the Aegidien Gymnasium, Nuremberg from 1704-1750. The prolific globe-maker, Doppelmayr produced celestial charts from 1704 onward, in his determination to explain the Copernican-Huygens world system. Homann, one of the main publishers of astronomical maps...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Alonzo the Patriot". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Marmion". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City (original paper backing has been lost to time, however this print is similar to two others both from Saxon and Clemens) circa mid 20th century. This print depicts, "Mr. Collins as Sir Reginold the Bold in the Giant of Palestine". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

An exceptional vintage framed print entitled "Unfinished Stereoscopic Picture" by Salvador Dalí. The work depicts Dalí painting a portrait of both his wife and himself. It hangs in a...

A circa 1980 limited edition signed and numbered gold foil embossed serigraph titled “Kings of Jerusalem” by renowned Israeli artist Moshe Castel (b. 1909–1991), professionally frame...

Magnificent pair of prints made by Gille, Marie, Joseph Albrier (1791-1863) French painter, representing two of the four Evangelists accompanied by their creatures in reference to the Tetramorph which is found in the Apocalypse of Saint John. They are enhanced by a refined frame in wood and gilded brass. Print N ° 1: Saint Luc, drawn by Joseph Albrier and engraved by Etienne, Frédéric Lignon (1779-1833). Period: 19th century Circa: 1820 Dimensions: height: 26.5cm x wide: 23.3cm x depth: 4.5cm Print N ° 2: Saint Marc drawn by Joseph Albrier and engraved by Jean Bein (1789-1857). Period: 19th century Circa: 1820 Dimensions: height: 26.5cm x wide: 23.3cm x depth: 4.5cm In Christian art, we often find a motif called the Tetramorhpe. From the Greek tetra “four” and morphé “form”, this term designates any representation of a pattern comprising four elements, or literally any image containing four shapes. It is the term used specifically to name the representations of the four evangelists, each being accompanied or represented by a creature. Three of them are animals while the last - the one that represents Saint Matthew...

Extraordinarily rare, this rosewood and brass shelf unit incorporates a pair of Symbolist/Art Nouveau prints featuring male nudes playing highly stylized lyres by Adolfo Magrini. The...

Shalom Moskovitz lithograph New York Print, signed, 50/100 Offered for sale is an original lithograph by Israeli artist Shalom Moskovitz (1896-1980) known as Shalom of Safed...

An extraordinary "Bad Day" by George Crionas Lithograph 162/200 from the 1960s and in great condition. The piece is title "Bad Day" and depicts a clown thinking looking out a window....

After Robert Indiana, Golden Love, Screenprint, Serigraph. Unsigned color screenprint on heavy wove paper with bright pop art colors: orange, yell...

Six original 18th century copper-engraving of celestial charts etchings issued by Homann. Doppelmayr is the cartographer, astronomer and mathematician....