Medieval Matrimony: A Union in the Gothic Halls, Hand-Colored in 1847

Title: "Renaissance Youth: The Italian Page" Description: This print depicts a young Italian page, a common figure in Renaissance courts, whose duties often included serving nobilit...

The image depicts a person labeled "Docteur des Lois," which translates to "Doctor of Laws." This term historically refers to an individual who has achieved advanced scholarly status in the field of law, equivalent to the modern term "Juris Doctor." The figure is seated at a lectern, deeply engrossed in a large book, which likely represents legal texts or scholarly works. The individual is attired in a robe with a fur-lined cape, suggesting a status of academic or professional distinction. The robe is red, a color often associated with higher education and learning. The headwear appears to be a type of turban, which was a common academic regalia in certain cultures and times. The setting and attire suggest that this person is a scholar or a high-ranking legal professional, possibly a university professor or a magistrate from the medieval or Renaissance period. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted...

Title: "Scholar of the Arts: The Medieval Academic" Description: This print illustrates a learned individual, likely a doctor of the arts or a scholar, from the medieval period. The...

An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church,...

Title: "Devout Reflection: A Medieval Bourgeoise in Prayer" Description: This print presents a serene image of a woman, labeled as a bourgeoise, engaged in an act of devotion. Her a...

Title: "French Youth in Traditional Medieval Attire" Description: This hand-colored engraving, titled "Jeune Français," which translates to "Young Frenchman," is part of the histori...

A historic medieval antique hand colored woodcut titled “Maximillian Pageant” by Hans Burgkmair. Posthumous print, circa 1580. Hans Burgkmair crea...

The double sided poster shows the construction of a Gothic dome and on the backside the view inside a medival city. Colorful print on paper. Measur...

Antique hand colored duck hunt engraving featuring a man with his gun in the field. Dimensions: 19.5" x 0.75" x 16.5" / Sans Frame - 11.5" x 8" (Width x Depth x Height)

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...

Framed mid 19th century hand colored engraving depicting "Feu-de-joie, Winner of the Oaks" by Harry Hall, 1862. Framed in a dark stained wood frame with beaded inner trim and Egg and...

John Skinner Prout (1805-1876) - 'the upper Goulburn, Victoria' - antique steel plate engraving after a painting by J. S. Prout - from 'Australia' by Edwin Carton Booth - hand colore...