Old Engraving of Antiquities found in a Bed of Chalk, Winchester, England, 1789

Description: Antique print titled 'North Front of Foremark (..)'. Old engraving of Foremarke Hall, a Georgian-Palladian country house and manor house. This print originates from ...

Antique print titled 'Magdalen Chapel near Winchester'. Magdalen Chapel near Winchester, Site of the Corporation or the Master, Brethren and Sisters of the Blessed Mary...

Antique print titled 'Views of the City Gates (..)'. Old print with views of the city gates as they appeared before they were pulled down, together with the Old Gate...

Antique print titled 'Aftekening der Schilderye op 't Stadhuis te Dordrecht (..)'. Scene of the battle of Chattam during one of the many Anglo-Dutch wars. In this battle, the Dutch sailed up the river Thames and destroyed part of the English fleet at anchor in the harbor of Chattam. Pictured in the foreground is the Dutch commander, Cornelius de Wit, being presented with the spoils of war...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

Untitled antique print of antiquities. This print most likely originates from an edition of 'Le Antichita di Ercolano Esposte' by Ottavio Antonio Bayardi. Published circa 1790. T...

ST/520 - Old rare Italian map of England, dated 1826-1827 - by Girolamo Tasso, editor in Venise, for the atlas of M.r Le-Sage.

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

ST/556/1 - Old map of Corsica isle, surveyed by Captain Hell, of the French Royal Navy in 1824, engraved and published on 1874, with additions and corre...

Fine 18th century engraving of a stag, after the hunt, with a magnificient dog at rest, in a country scene, beautifully depicted.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.