Belgian Prints

A charming set of 2 wall hangings featuring a different type of duck bird. Birds: the red crested pochard, sheldrake. They are pictured in their natural habitat of grassy water so ...

Engraving in Wooden Frame With Religious Scene - 18th Century Print based on the painting of the Flemish artist Erasmus Quellin (1607-1678). The matrix was made by Schelte Adams Bol...

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

Lithograph representing Paul Delvaux's painting "small station square" in Saint Idesbald in Belgium. Young girl seen from behind in front of a station and a train. This work is repre...

Gorgeous Karel Appel lithograph advertising a 1969 exhibition of Karel Appel Lithographs in Brussels, Belgium. This lithograph is signed in pencil by ...

Jean-Michel Folon (1 March 1934 – 20 October 2005) was a Belgian artist, illustrator, painter, and sculptor The first exhibition of his watercolors was in New York in 1969 in the Lefebre Gallery. One year later he exhibited in Tokyo and in the Il Milione gallery in Milan. He also participated in the XXVth Venice Biennale. In 1973 he joined the selection of Belgian artists in the XXVth São Paulo Biennale, where he was granted the Grand Prize in Painting. Over the years his work concentrated on different techniques, including watercolor, etching, silkscreen, illustrations, mosaics, and stained glass, which showed the diversity of his art. His work Ein Baum stirbt - Un albero muore, 1974, is by Museo Cantonale d’Arte [de] of Lugano. He also designed numerous posters, often for humanitarian causes. Around 1988 he created his first sculptures made out of wood. He then moved on to creating sculptures in clay, plaster, bronze and marble, while continuing to paint. Several museums dedicated exhibitions to him, among them the Musée des Arts Décoratifs in Paris in 1971, the Museum Boijmans Van Beuningen in Rotterdam in 1976, the Institute of Contemporary Arts in London in 1977, the Musée Picasso in Antibes...

Botanical Print of Helianthus Californicus Insignis, The Californian Sunflower, Flore des serres et des jardins de l'Europe, Louis van Houtte. (1810-1...

A serigraph depicting the Brooklyn Bridge from the Cinetization X series by Belgian artist Pol Bury (1922-2005). Published in 1966 by Lefebre Gallery in New York, Cinetization X incl...

Beautiful 16th century antique engraving with walnut briar frame. "The beheading of St. Paul" was engraved by Sadeler Johann I. Perfect conditions. The Sadelers were a family of Flem...

The visual artist Luc Peire (*Bruges 1916 – †Paris 1994) developed from Expressionism (in the wake of Constant Permeke) via a personal form of reducti...

Exceedingly rare. No other example found worldwide. Rose Blanche - Witte Roos Measures: Large Folio: 33.5 x 27.2 cm Lithographed by Guillaume Philidor Van den Burggraaff (b. 1790) and published in Brussels before his move to Paris. Likely incunabula of stone lithography. During the first years of the 19th...

"Arch dedicated to Hercules" and "Arch dedicated to Bellerophon" Splendid and very rare etchings belonging to a suite of subjects executed for the preparations of the "Celebrations for the entry into Antwerp of the Cardinal-Infante Ferdinando of Habsburg-Spain on 17 April 1635". The sketches for the decorations were all drawn by Sir Peter Paul Rubens and the execution of the etchings was entrusted to Van Thulden. Bottom left: P.P. Rubens. Bottom right: G. Gervatius (who was commissioned to bring together the illustrations of the arches in a special volume) and Van Thulden. Laid paper with watermark - copper imprint - margins - excellent condition. At the end of 1634 Peter Paul Rubens (1577-1640) was invited to make a series of drawings to decorate the city of Antwerp on the occasion of the solemn entry of the infant cardinal Ferdinand of Habsburg (1609-1641) who, after his death of Archduchess Isabella Clara Eugenia (1633), Spanish governor of the southern Netherlands, had been elected as his successor. Generally in these circumstances, the itinerary was articulated through a series of stations and the city - in its main urban hubs - was adorned with decorations and ephemeral apparatuses which, without solution of continuity, covered the facades of the palaces, churches and convents facing the parade axis of the celebratory itinerary, testifying to the participatory role of the various public and private institutions that took part in the feast1. As had happened for the entrances of Charles V in 1520, of Philip II in 1549 and of the archdukes Albert and Isabella in 1599, also in this case, on 17 April 1635, the most important streets and squares of Antwerp were enriched with arrangements: temporary altars, four scenarios, a portico and large triumphal arches built in wood, over twenty meters height, decorated with paintings, sculptures and allegorical scenes. The references to the ancient alluded in this case to the greatness of the Habsburgs and to the merits of Ferdinand for the victory obtained over the Protestant armies of Sweden and their German allies. The choice to use the triumphal arch has its roots in the "city of the popes" and must be read as a connection with the triumphal and modern arches, with Rome and with the "possession" ceremony, placing the emphasis on its centuries-old use . In the elaboration of the drawings and sketches Rubens proved to be a true connoisseur of architecture, but what is most surprising about the artist is the casual use of architectural language and fidelity to sixteenth-century Roman models. In order for the memory of these works to be perpetuated over time, some artists were commissioned to etch the ephemeral apparatuses and, under the guidance of the painter Theodor van Thulden...

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

Hebbelinck Roger Belgio 1912/1987 "canal du midi'" etching aquatint years '50 by Dietrich & C. brussels grave' et imprime' par Hebbelinck Roger th...

This exquisite print is from L'Illustration Horticole, one of the great Belgian horticultural periodicals of the 1800s. Published from 1854 to 1896, L'Illustration Horticole featured...

Lovely antique Litho Print with dogs, from the Belgian artist Eugène Verboeckhoven. The print is dated 1844. It is framed behind glass in a simp...

Print from "Le Monde des Echecs" Serie No. 1. by Edition L'Echiquier, 1933. V. Halberstadt and M. Duchamp photomontage by Man Ray. Portfolio of famous chess players and chess book...

'Le Monde des Echecs' Serie No. 1. by Edition L'Echiquier, 1933. Portfolio of famous chess players and chess book-manual 'L'opposition et les cases conju...

This authentic colored etch by Henry Ketels(1896-1956) depicts an indigenous market. Measurements of this beautiful piece are 71.5 x 53 cm without frame, 91.5 x 72 cm with frame. ...

This magnificent etching is a portrait of "Maria Luissa de Tassis", engraved by C. Vermeulen after the painting by A. Van Dyck of 1630. Van Dyck painted in 1630. Antoine Van Dyck, ...

Oversized chocolate advertising poster, Belgium, 1999. One of three very rare large advertising posters from the brand ‘Jacques Chocolate’ ...

Claes Jansz. Visscher II (1586-1652) ‘catching pigeons’, copper engraving, after a design of Antonio Tempesta (1555-1630). It belongs to a series of hunting scenes by Visscher engra...

Antique map titled 'Hispaniae Novae Sivae Magnae Recens Et Vera Descriptio 1579'. Map of western New Spain, showing the recently-created Spanish settlements, many rivers, and large l...

An antique genre engraving print after "Smoking Boys", engraving by the Belgian painter Frantz Charlet (1862-1928) depicts two boys in countryside setting, circa 1910 Measures: 27.5...

Beautiful etching by Abraham Genoels II (Antwerp 1640-1723) from a painting by Adam Frans van der Meulen (Brussels 1844-Paris 1690). Excellent state of conservation with wide margin...

A very beautiful original Belgian exotic botanical vibrant off-set lithograph, 'Decaisnea Insignis', by artis Horto Van Houtteano, circa 19th century, Belgium. 'Decaisnea Insignis' i...

A very beautiful original Belgian exotic botanical vibrant color lithograph by de G. Severeyns, circa 19th century, Belgium. This beautiful design is comprised of flowers, leaves and...

A beautiful original Belgian exotic 'White Calville Apple' botanical color chromo print (aka, Chromolithography), by artist de G. Severeyns, circa 19th century, Belgium. Item is orig...

We present you an engraving based on a painting by a Flemish painter, Erasmus Quellin (1607-1678). The template was made by Schelte Adams Bolswert (1581-1659). The whole is closed ...

Beautiful pair of prints from the series "The Story of Jonas" including "The departure of Jonas" and "Jonas and the whale". Printed by Hieronimus Cock on a drawing by Hans Bol (1554-1593). Hieronimus Cock (Antwerp 1507-1590) was a painter, engraver and print merchant. He was a master and editor of Pieter Bruegel...

A pair of framed prints of 19th century lithographs, Belgium, circa 1870. The two prints depict five different peaches; the first Alexander and R...

André Eijberg print on textile, signed lower right framed H: 150 cm W: 90 cm. André Eijberg is a Belgian sculptor and ceramist born in Ixelles (1929 - 2012)

The chart also includes its original wooden dowels from which it can be hung. Pair of vintage Belgian school charts printed on cloth likely dating from the 1960s. Very graphic and in...

Wonderful print by Maurice Langaskens, circa 1940, depicting a group of three men engaged in archery.