Original Antique Engraving of People Visiting the Sick, ca.1760

Two religious images on one sheet. The upper images depicts the confession and the lower image depicts the anointing of the sick. This print originates from 'Ceremonies et costumes R...

Description: Antique print, titled: 'Zedoaria' - This original old antique print shows the Curcuma zedoaria (zedoary, white turmeric, or kentjur). Source unknown, to be determined. ...

Antique print titled 'La Maniere dont les Indiens seignent leurs Malades'. This original antique print shows how the Indians treat their sick people. Originates from 'Nouveau voyage ...

Description: Antique print titled 'Nouveau Mexico'. Copper engraving with a panoramic view of Mexico city. Source unknown, to be determined. Artists and Engravers: Engraved af...

Antique print titled 'Plan Horisontal du Temple de Schoe-Madou'. Plan of a Burmese temple. This print originates from 'Relation de l'Ambassade Anglaise, envoyée en 1795 dans le Royau...

Antique print titled 'A machine for boring Pipes'. Print of a machine for boring pipes. This print originates from 'The Universal Magazine of Kn...

Cosimo Colombini engravings of antique gems with hand-coloring, circa 1760s. sight: 6 ¾ by 9 ¾ inches frame: 12 ½ by 15 ½ inches

"Vue Interieure de la Cathedrale de Dorth," a hand-colored engraving of the interior of the cathedral in Dorth, near Wiesbaden. Published by Daumont, Paris, 1760. Image, 15.5"L x 11"...

Pair of hand colored botanical engravings of flowers.

Early 19th century pair of engravings - 'George IV visiting Dublin' After Joseph Haverty RHA (1794-1864) 'The Triumphant Entry of George IV into Dublin'. 'His Majesty's Arrival', 'His Majesty's Embarkation'. A pair of coloured aquatints by Robert Havell. These prints record the visit of George IV to Ireland in 1821, when official business was overshadowed by the Kings' wish to visit Slane Castle. These are rare first state prints before the flags were re-engraved to fly at half mast for the death of Queen Caroline. This pair of aquatint prints by Robert Havell, are based on paintings by Joseph Haverty, a close friend of 'The Liberator', Daniel O'Connell. Haverty based his depictions on sketches made by John Lushington Reilly, whom Haverty has thoughtfully included in the embarkation scene. The figure of Reilly can be found in the central foreground sketching on horseback. The 18 day visit by George IV began on August 12th 1820, the Kings 59th birthday, and a mere three weeks after his coronation. The visit was arguably the first time a British monarch had visited the country without an accompanying army, in the traditional sense at least. George IV's visit was universally greeted with rejoicing from the populace. One of the first to extend his warmest welcome was Daniel O'Connell, who saw the visit as welcome support in his endeavours to achieve Catholic Emancipation...

An antique hand colored engraving showing the port of Rotterdam. Inscribed in Latin and Italian “Prospectus portæ veteris roterodamensis / vista de la puerta vieja a roterdam” which translates to ‘View of the old gate...

Giovanni Battista Piranesi, Italian 1720-1778) Engraving on wove paper depicting an ancient Roman funeral monument in the form of a cornucopia from the Via...