"Pony Tracks in the Buffalo Trail" Frederic Remington Chromolithograph, 1910

This is a chromolithograph of "The Emigrants" by Frederic Remington. The print includes Remington's printed signature in the bottom right. The compositio...

This colorful lithograph by H. A. Ogden was published in 1908 by Brigadier General J. B. Allshire. Originally published as a comprehensive series of U. S. military uniforms, this pri...

Presented is a color photogravure by James Michael Brown entitled “In the Sand”. The print depicts two golfers with their young caddies on the historic St. Andrews golf course. One p...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Chromolithograph titled 'In the Clouds'. Lithograph of Sir Hiram Stevens Maxim, an American-British inventor best known as the creator of the first automatic machine gun, the Maxim g...

Antique print of the Trailing Disandra. This print originates from 'The Botanical Magazine; or Flower-Garden Displayed (..)' by William Curtis. Published 1794. The Botanical Maga...

Antique map titled 'Carte des Découvertes faites dans la Mer Pacifique sur la Vaisse au de Roi, La Resolution, Commandé par le Capitaine Cook en 1774'. Chart detailing the 1774 voyag...

The map depicts the route of the Burke and Wills expedition, one of the most famous and tragic explorations in Australian history. This journey was the first to cross the Australian ...

#5-2650, a classical female portrait, print on artist board displayed in a giltwood frame. Oval size 22 H x 18 W.

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...