Yuroz Table of Negotiation Signed Contemporary Surreal Serigraph on Paper

An energetic serigraph on paper titled “Moonlight Dance” by Chinese artist Jiang Tie Feng. Hand signed in pencil on the bottom right with an annotation ...

An energetic serigraph on paper titled “Spring” by Chinese artist Jiang Tie Feng. Hand signed in ink on the bottom right with an annotation of 236/293 o...

A bold and graphic geometric abstract serigraph on paper titled “Spur” by German artist Jurgen Peters. Hand signed in pencil bottom right, titled bottom mid, and annotated 217/250 on...

A bold and bright serigraph titled ""Red Bowl with Shapes"" by Serbian American artist Daniel Gelakoska. Artist embossed seal ""Daniel Gelakoska Printworks"" via the bottom of the pr...

In this silkscreen by Arthur Secunda, the landscape artist has developed his own iconography in representing nature, the land and its forms, as well as corresponding inner landscapes. Signed on the bottom right with an AP annotation and title on the bottom left. A beautiful color gradation and blending of forms in many media. His work tends to oscillate between the serene--striated colors in landscapes--to the expressive, as in many of his oil paintings. Dimensions: 19.25"w x 1"d x 43.25"h (framed). In very good vintage condition. Arthur Secunda (1927- ) is an internationally renowned artist whose career has spanned eight decades. His one man shows have been seen worldwide in numerous galleries and museums in France, Sweden, Belgium, Holland, Spain, Israel, and Japan. In the United States, he is represented in most major museums of the country, including the National Gallery of Art and the Smithsonian Museum in Washington D.C., the Museum of Modern Art in New York, the UCLA Museum, the Detroit Art...

An abstract surrealist triptych by California artist Neal Doty. Hand signed in pencil bottom right with an annotation of 93/99 bottom left. Published circa 1970s. Inspired by artists...

"Delphinium" by Eyvind Earle. Limited edition serigraph on paper, 1975. Signed and numbered (61/250). Single estate, purchased from Circle Gallery, Ltd., Chicago. Brushed and polish...

Serigraph on paper by Betty Lieberman Gerald (20th Century) Texas. Titled Seas & the Winds on His Palm from the Amahl & the Night Visitors series. Signed and dated in pencil along lo...

Achille Perilli “Systematic 1°“ Lithography Achille Perilli Final lithography made for Engineering Company C. Lotti e Associati Roma. Editions numbered from 1/99 to 99/99 plus XXX ...

Anthony Quinn Mexican Artist: b.1915-2001. Artist and Actor Anthony Quinn was born in Chihuahua, Mexico and his family moved to Los Angeles when he was four years old. Before becomi...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Woodblock print and serigraph on paper by artist Tetsuya Noda depicting two barns one in the middle ground and one in the background. Signed on the lower ...