Late 20th Century Shadow Boxes

A unique book first edition print set on a circular format retains its original case.

Zoe Hope The Music Lovers Collage 1997 Wall Art The artist’s music collage incorporating paper, fabric textile , wire and sheet music all incased behind...

A rare Charles Fazzino titled “South Beach,” 1993, in a shadow box. Signed Artist Proof 32/50 AP. Image Size: 23" x 33" Framed: 46.5" wide x 36.5" high x 1.5" deep

A shadow box with laced doily, silver purse, antique spectacles. tortoiseshell and silver ornamentation. Made in Mexico circa 1930s to 1970s. Stamped signature on reverse reads Chavo...

Created exclusively for Barneys of New York by the Estate of Roy Lichtenstein, the heavy and custom acrylic display box provides front and rear views of this master work. Stamped wit...

Shadow box made in wood and glass containing a butterfly collection.

"Family Jewels" is a framed sample of a hand-tufted wool rug, in an abstract composition, by famed artisanal carpet company Edward Fields. Against a white background twelve brilliant...

Three mounted scrolls by Rune Hagberg, Sweden, 1970s. Paper scrolls mounted on a board in a plexiglass box. Unique. Signed. H: 76 cm W: 81 cm D: 12 cm Rune Fredrik Hagberg was a renowned Swedish artist that took much of his inspiration from Zen Buddhism spirituality and Eastern Calligraphy. He is represented at, among many others, the Modern Museum and the Norrko¨ping Art Museum. Hagberg’s meditative informalism is placed between the concretism and expressionism of the 1950s, his art becoming simpler until he reduced it so far that only tightly closed picture reels...

Stunning framed taxidermy alligator with great coloring and very well preserved details. Hues of the scales range from a beige color on the outer edge...

Pair of vintage large watercolor paintings of impressionist style tree lined lakes titled Summer Reflections I and Summer Reflections II, pencil signed by artist Conthonts. Both moun...

Vintage large hand painted golden fan by Tak-Young Jung from his 1991 solo exhibition “The Admiration of Life Through the Symbolization of Colors“ at the Modern Art Gallery in Los Angeles...

1970's Art Deco inspired Onyx and diamond ring in 14K gold setting. Very little wear by age and use.

A figurine of a reclining nude, crumpled figure drawings, dried fruits and flowers, and blue wallpaper make up this shadowbox by F. Ronald Fowler (1948-...

A touch of PINK NEON Pop Art encased beautifully in acrylic box. Pull string to illuminate. ALL original and vintage in perfect working condition. Great for a tabletop or can be hung...

A Japanese silk haori float-mounted on an acrylic rod to a stretched pink cloth canvas in a custom formed acrylic shadow box by artist Greg Copeland...

1986 mixed-media untitled work by Dike Blair POOL table watercolor landscape Made in 1986, features watercolor landscape with POOL balls and felt holes. Framed in shadowbox. Sign...

"Crossed Legs" 77/300 Mid-Century Modern watercolor print on handmade paper in large Lucite shadow box frame.

Stunning diorama by American artist Lloyd Brown. “View of Area Above San Rafael Reef, Utah” 1999. Signed and dated with gallery tags. I Lloyd Brown has been fascinated with the viewer’s experience of panorama, particularly as it seems to negate the role of the artist, throughout his career. Tradition has it that the artist, whether painter or photographer etc is singularly responsible for framing a scene. Mr. Brown takes this task off the plate of the artist and thusly provides the viewer with not only more visual information but also the agency to see and understand what they might see and understand within the composition with their own eyes. For example, Imagine if this composition did not include the information to your far right. The work would have been framed as a vista, a landscape painting, a scene of the horizon, the great American West. But by expanding (or in essence, breaking open) the frame, the viewer also sees the world of the artist, or the visual context as part of the vision. He or she stands on the same stained concrete as the artist , is able to see though their eyes but at the same time retain their autonomy by looking away from the vista. He or she does not have to see through the artists eyes and therefore understands the moment, experiences the moment, unencumbered by the task of looking. Viewer and artist are equal. So one might ask, Is the scene about the grand vista? Is it a scene of the great American West as we expect it to be? Or is it a scene that although grand serves to accentuate the viewer’s sense of alienation or even isolation and smallness in the moment, during the experience of the painting and ultimately throughout life’s path? The coupling of the mountains, garbage bins...

A signed rather unique wall sculpture comprised of old computer chips and equipment. It is housed in a Lucite frame. It is dated 1988. There are some miss...