Claudia Jongstra Hanging Tapestry Red Ecologically Friendly

Over 500 years ago Chinese potters first experimented with copper oxide glazes to create a fiery red finish that became known as Flambe. When these Sung Dynasty (AD 960 to1279) porce...

Over 500 years ago Chinese potters first experimented with copper oxide glazes to create a fiery red finish that became known as Flambe. When these Sung Dynasty (AD 960 to1279) porce...

Over 500 years ago Chinese potters first experimented with copper oxide glazes to create a fiery red finish that became known as Flambe. When these Sung Dynasty (AD 960 to1279) porce...

SALE ONE WEEK ONLY UNTITLED is an abstract blackened steel sculpture that has a continuous lively movement. The positioning of the heavy metal is suggestive of dance. There are similarities to the sculptors, Robert Sestok and Tony Smith, who both worked in bronze and painted steel with similar cut out pieces and abstract designs. Untitled has a joyous aura and its small size makes it a charming intimate piece. It might have been a maquette for a much larger piece. The design works in this 14" height as it would in a 14' height. There is a Letter of Certification that will accompany the sculpture. Tony Rosenthal (1914 - 2009) is best known for creating a staggering list of monumental public art sculptures. For over seven decades Tony Rosenthal created an arc of sculpture in a variety of sizes, styles and media, including wood, steel, bronze, brass, cement and aluminum. Every day millions see, enjoy and interact with art created by Rosenthal in cities around the world. In New York City alone, five Rosenthal public art sculptures have been beloved and visible 24/7 for over four decades, yet Rosenthal is not a household name. Art dealer Joseph K. Levene, told The New York Times, Tony Rosenthal "reminds me of a character actor. You know the face but not the name. With him, you know the art." Tony Rosenthal dedicated his life to creating art and actively created sculpture everyday in his Southampton, New York studio until he passed away at the age of 94, July 28, 2009. At nine Rosenthal learned the fundamentals of carving sculpture when his mother, an opera singer enrolled him in children's classes at the Art Institute of Chicago where he learned how to carve sculptures in soap. In 1936 Rosenthal earned a B.F.A. from the University of Michigan, and in 1952 became the first instructor of sculpture at the University of California, Los Angeles. In 1950 Rosenthal was recipient of the San Francisco Museum of Modern Art’s sculpture award; in 1967, Rosenthal received the outstanding achievement award from the University of Michigan and in 1963 a Ford Foundation Grant. 
After graduating from the University of Michigan, Rosenthal became studio assistant to Alexander Archipenko, the figurative master sculptor, casting bronzes in exchange for sculpture lessons; at night, Rosenthal taught evening classes in drawing and sculpture. In 1939, Rosenthal enrolled at Cranbrook Academy of Art, studying with Carl Milles, Cranbrook's sculptor in residence; there, Rosenthal forged friendships with husband and wife designers Charles Eames and Ray Eames and the sculptor Lilian Swann Saarinen the wife of architect, Eero Saarinen.   Decades later Rosenthal acknowledged his gratitude to Cranbrook by donating his archives to them. The Cranbrook Cube, 1984, a 90" painted aluminum cube is in the Cranbrook Museum collection. In 1942, Rosenthal was drafted into the U.S. Army; while stationed in Paris Rosenthal forged friendships with George Braque, Andre Derain, Le Corbusier and Constantin Brancusi, routinely organizing and accompanying groups of soldiers on studio visits. Through multiple visits to Brancusi's Paris studio, Rosenthal learned to create and forge metal sculpture...

Over 500 years ago Chinese potters first experimented with copper oxide glazes to create a fiery red finish that became known as Flambe. When these Sung Dynasty (AD 960 to1279) porce...

SALE ONE WEEK ONLY This set of eight side chairs & four red cushions are as elegant, strong and functional as when they were manufactured. The colors are bright and the cushions are in very good condition. The chairs will add a touch of class to any setting. Harry Bertoia's career began in the 1930s as a student at Cranbrook Academy of Art where he re-established the metal-working studio and later became head of the department before the school closed during WWII due to wartime restrictions on materials in 1943. During the war, Bertoia moved to California and is credited with developing new techniques for molding plywood with Charles and Ray Eames also from Cranbrook. Harry Bertoia is one of the many well-known artists and designers who attended The Cranbrook Academy of Art in Bloomfield Hills, Michigan, The school & buildings were designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. It is the country’s top ranked, graduate-only program in architecture, design and fine art. Each year, just 75 students are invited to study and live on the landmark Saarinen-designed campus which features: private studios, state-of-the art workshops, the renowned Cranbrook Art Museum and 300 acres of forests, lakes and streams, all a short drive from the city of Detroit. The focus at Cranbrook is on studio practice in one of ten disciplines including Architecture, 2D and 3D Design, Ceramics, Fiber, Metalsmithing, Painting, Photography, Print Media, and Sculpture. The program is anchored by celebrated Artists- and Designers-in-Residence, one for each discipline, all of whom live and practice on campus alongside the graduate students. Numerous creative artists who are alumni of Cranbrook include: Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media), Lauren Anais Hussey (Abstract), Andrea Eis (film, photography), Lilian Swann Saarinen (Sculpture), Douglas Semivan...

Fuchsia Hybrida Tapestry by Claudy Jongstra Dimensions: W 180 x H 240 cm. Materials: Drenth Heath, Raw Silks, Merino, Silk Organza. Claudy Jongstra is known worldwide for her mo...

Lemon Burst II Tapestry by Claudy Jongstra One of a kind. Dimensions: W 115 x H 180 cm. Materials: Drenth Heath, Raw Silks, Merino, Silk Organza. Claudy Jongstra is known world...

Woven Skin D2-3 Tapestry by Claudy Jongstra Dimensions: W 100 x H 170 cm. Materials: Drenth Heath and Merino Wool, Mohair, Linnen, Silk and Cotton. Claudy Jongstra is known wor...

Woven Skin B15-16 Tapestry by Claudy Jongstra Dimensions: W 100 x H 170 cm. Materials: drenth heath and merino wool, mohair, linnen, silk and cotton. Claudy Jongstra is known w...

East Meets West, A Breath of Indigo Tapestry by Claudy Jongstra Dimensions: W 105 x H 170 cm. Materials: Drenth heath and merino wool, silk, silk or...

A mid 19th century French tapestry fragment wall hanging. Measures: 4'9" x 8'1", mid-19th century.