Banner Skateboard Decks after Robert Rauschenberg

Set of three skateboard decks 7-ply Canadian Maplewood with screenprint each deck 31 h. x 8 inches mounting hardware included limited edition of 300 (screen-printed signature) ...

The Skateroom with the Andy Warhol Foundation Set of three skateboard decks 7-ply Canadian Maplewood with screenprint Measures: Each: 31 height x 8 inches Approx. 31 height x 24 ...

The Skateroom with the Andy Warhol Foundation Set of three skateboard decks 7-ply Canadian maplewood with screenprint Measures: Each: 31 H x 8 inches Approx. 31 H x 24 inches whe...

The Skateroom w/ the Andy Warhol Foundation Detail from Dollar Sign (9), ?1982 Set of three skateboard decks 7-ply Canadian Maplewood with screen-prin...

The Skateroom with the Van Gogh Museum set of three skateboard decks 7-ply Canadian Maplewood with screenprint Measures: each: 31 H x 8 inches approx. 31 H x 24 inches when insta...

Set of three skateboard decks 7-ply Canadian maplewood with screen-print Measure: each deck: 31 H x 8 inches Mounting hardware included Open edition (screen-printed signature). ...

Rauschenberg color lithograph for Gemini, Gel. Signed and editioned Print size: 33 3/4" x 25 3/4" W.

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenb...

This is very large and wonderful wool fiber art piece accredited to the Robert Kidd studio, circa 1975. At 4'-10" by 8'-6" this piece will fill the largest...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...