Mixed Media Wall Sculpture "Circus"

Offering a Mid-Century hanging wall sculpture in the style of Curtis Jeré. This abstract statement piece is composed of brass and mixed metals. It measures 58" wide and can be hung h...

A stunning iteration of our Astor Nightstands by Montage featuring sleek nickel-plated hardware and introducing a new finish: Oak in Washed Gray. Astor is among many pieces in the Mo...

Designed by Montage, the Astor Bench 60" is a wonderful addition to a refined interior space. Astor was designed with the delicate proportions of the midcentury, celebrating an era o...

Designed by Montage, the Astor Petite ottoman is a wonderful addition to a refined interior space. Astor was designed with the delicate proportions of t...

Designed by Montage, the Astor Petite ottoman is a wonderful addition to a refined interior space. Astor was designed with the delicate proportions of the midcentury, celebrating an ...

The most versatile piece in any living space; "poufs" are elegant additions and very much objects of sculpture in their own right. The Montage Workroom was quite inspired by vintage ...

A unique one-of -a-kind pop art piece highlighting the art of war and it's western influence on fashion and Hollywood. This wall art piece displays arms as artwork, museum pieces, to be antiquated and rendered as disarmed artifacts of our past. This art basel piece was part of the art basel spectrum and red dot expo in 2015. The multi-layered mix media gives a 3D effect to all images, with gold leaf, crystal stones, jewels, and stainless steel letters...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...