USA Set of Graphic Sand Shovels

In the middle of the path there was a stone There was a stone in the middle of the road there was a stone In the middle of the path there was a stone I will never forget this event In the life of my tired retinas I will never forget that halfway through there was a stone There was a stone in the middle of the road In the middle of the path there was a stone. Drummond de Andrade, 1928 Sand basalt hooks (5-piece set) on the wall give the set an artwork feel. Configure your 5 pieces however you want, wherever you want! They will bring charm and elegance to your space and are also useful in our daily lives to hang bags, coats, etc. Basalt stone is a natural material, so hangers vary in shades, shapes and sizes. There are also three color options in a set: sand and white. Product produced in Brazil (Sao Paulo) by designer Bruno de Carvalho at the atelier decarvalho...

Collection of five 19th century folk art wooden grain shovels with great patina. Ca 1800 - 1840 Sweden. Measurements: Height from 88 - 98 cm. Width from 19 - 31 cm.

Molly Hatch’s latest installation, Parallel, continues her process of deconstructing historic imagery through an installation of triangular shaped wall tiles that create a large scale, three-dimensional ceramic lenticular. The graphic work, with its painterly black and white pastoral scene, is further interrupted by a series of graduating lines rendered in gold luster along the left side of the installation. In the past decade, the name Molly Hatch has become synonymous with contemporary ceramics. Hatch’s ceramic installations...

A beautiful antique rustic, farmhouse, or country wooden hand made grain shovel. This would be ideal for an installation on a large wall on a custom wall mount. USA, Circa late 1...

A beautiful antique rustic, farmhouse, or country wooden handmade grain shovel. This would be ideal for an installation on a large wall on a custom wall mount. USA, circa late 19...

Using ceramic surfaces as her canvas Hatch extends her historically-inspired contemporary repertoire with Memento, a wall installation comprised of 35 hands painted plates. The central image of the work, a large vase of vibrantly painted flowers is derived from 17th century Dutch painting, more specifically “pronkstilleven” (Dutch for ‘ostentatious still life’). Each round surface serves as a canvas for the artist’s brush strokes; together, the plates reveal the intricate abstract floral motif of their source material. Bridging the gap decorative and fine art the glazed surfaces of earthenware plates collectively become a fragmented canvas for Hatch’s delicate, painterly re-rendering. In the past decade, the name Molly Hatch has become synonymous with contemporary ceramics. Hatch’s ceramic installations...