Original Coney Island Sideshow Banner Millard & Bulsterbaum

Original hand-painted canvas sideshow banner for carnival midway sideshow entrance. Not signed but most likely out of Chicago Tent and Awning's banner ...

Fantastic "Plenty For Two" sideshow banner painted by Snap Wyatt. Great manageable size.

Vividly painted American sideshow banner with larger than life subject matter. Painted by the self-titled Czar of Bizarre, Johnny Meah. Both banners are signed. The Harold huge banner is cleverly signed with the "H" in the legs of Harold's huge chair.

A personal favorite! 15 1/2 feet tall. American "Wondercade" sideshow banner. Painted and signed by J. Sigler. One of the great American sideshow banner artists. Death defying! This ...

O'Henry Tent and Awning sideshow banner with original shipping tag. Unusual subject matter and fantastic story from the Salem witch trails to Spider Girl. ...

Very early American circus or carnival Sideshow Banner, circa 1890-1900. Fantastic paint detail. Great example of American folk art banner painting. The Great American African Camel...

1950s "Prince Buddah" circus sideshow banner.

Produced by Pinto Bros Mfg of Coney Island, New York, this all-original 1940s firetruck was part of a circular ride at the famed Coney Island Amusement Park. Featuring lucky Number 4...

Selling as a pair - Banner from the Robert Altman's 1976 film Buffalo Bill and the Indians; and Sitting Bull's History Lesson staring Paul Newman. Looks m...

A rare and Historical Industrial Era Mounted Turnstile from the Fun House at Coney Island, New York, featuring original painted finishes mounted on wood plinth with label reading, “T...

For magician and circus lovers. This early 20th century circus banner. Hand painted on canvas.

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...