Figurative abstract painting with target by Victor Mirabelli

A beautiful large abstract buy the noted Hudson valley river artist Victor Mirabelli that our gallery has the pleasure to represent. This abstract is titled "The Crossing"...

A nice brownish hued abstract painting by the noted artist Arnold Weber (1931-2010). The abstract is in a strip frame which has marks scratches and some minor losses. It is signed an...

A vibrant abstract titled "Bad Ass Bosoms" signed illegibly Steve Ci???. It is dedicated For Mary Hartwell for her 70th. In good condition with some roughness on the edges, minor pai...

A nice brownish hued abstract by the noted artist Arnold Weber (1931-2010). The abstract is not framed. It is signed and dated 1966 on the bottom.

A beautiful large abstract signed on the back W Carson. Bought out of a Hudson River NY estate we had this recently stretched. Wonderfully done. I would say it looks to be from the 1...

Our gallery acquired a number of works from the estate of the late George Dergalis on behalf of his widow. This colorful abstract is signed and dated 1957. Artist framed, the piece bears a label on the back from the School of the Museum of Fine Arts, Boston, Mass. It is titled "Landscape." In good condition with minor paint loss and flaws and imperfections to the period frame. A biography of the artist follows; Education: Accademia della Belle Arti, Rome, Italy; MFA, 1951. School of the Museum of Fine Arts, Boston, MA, USA; diploma with honors, 1957 and 5th year certificate, 1958. Positions: Painting instructor, School of the Museum of Fine Arts, Boston, MA, 1961-69 and DeCordova Museum, Lincoln, MA, 1961-94. Private classes, Wayland, MA. President, Alumni Association, School of the Museum of Fine Arts, Boston, MA , 1966-67. Combat artist, U.S. Army Historical Dept., Vietnam, 1967. Honorary Director, Boston Ballet, 1971. Chairman, curator, "Festival Bostonian for Art & Humanity," City Hall, Boston, MA , 1976. Artist -in-Residence, Partners of the Americas, 1979. Master, Copley Society of Boston, 1981. Designer, Wayland Veterans' Memorial, 2004. Nominating Committee, Cooper-Hewitt National Design Awards, 2007 & 2008. Awards: Bronze Medal for Excellence, Accademia delle Belle Arti, Rome, Italy, 1951. Prix de Rome, Accademia delle Belle Arti, Rome, Italy, 1951. Boit first prize, Drawing & first prize, Collaborative Design; School of the Museum of Fine Arts, Boston, MA, 1958. James William Paige Two-Year Traveling Scholarship, School of the Museum of Fine Arts, Boston, MA, 1958-60. Civilian Merit Award, U.S. Army Historical Dept., 1969. Excellence in Technique, Copley Society of Boston, 1978. Merit Award, "Through the Looking Glass" Exhibit, Museum of Fine Arts, Boston, MA, 1989. First Prize, Holiday Card, Commonwealth of Massachusetts, 2000. Jurors' awards, "Watercolor USA, 2002", Springfield Art Museum, Springfield, MA, USA and "Small Works", Attleboro Museum, Attleboro, MA, 2004. One of "Wayland's Top People of the Year", Wayland Town Crier, 2005. Gold Medal, Concord Art Association, Concord, MA, 1969. Selected Solo Exhibitions: Foundazione Besso, Rome, 1950. Museum of Fine Arts, Boston, 1961. DeCordova Museum, Lincoln, MA (two-man), 1962. Boston University, Boston, 1963. Harvard University, Cambridge, 1963. Brooklyn Museum, 1964. Massachusetts Institute of Technology, Cambridge, 1967. Brockton Art Center, Fuller Memorial, Brockton, MA, (four-man), 1971. Woodstock Gallery, London, 1974. Fitchburg Art Museum, Fitchburg, MA, (two-man), 1974. Camara de Comercio, Medellin, Colombia, 1980. Museo de Zea, Medellin, Columbia, 1981. Galesburg Civic Art Center, Galesburg, IL, 1985. Salon des Artistes, Hotel Meridien, Boston, 1987. Wayland Art Space, Wayland, MA, 1994. Group Exhibitions: Prima Mostra Internationale d'Arti, Rome, Italy, 1950. Quadrianale, Museum of Modern Art, Rome, Italy, 1951. Kurhaus, Wiesbaden, Germany, 1953. Busch-Reisinger Museum, Cambridge, MA, USA, 1957. Institute of Contemporary Art, Boston, MA, 1959 & 1976. Chicago International Arts Festival, 1963. American House Traveling Exhibit, Germany, 1964 & 1965. Helocon, Radcliffe College, Cambridge, MA, 1971. Museum of Fine Arts, Boston, MA, 1977. Scottsdale Center for the Arts, Scottsdale, AZ, 1980. The Tampa Museum, Tampa, FL, 1983-84. Boston Public Library, 1985, 1988, 1992, & 1994-5. Indianapolis Art Center, Indianapolis, IN, 2000. Springfield Art Museum, Springfield, MO, 2002 & 2007. The Foothills Art Center, Golden, CO, 2003 & 2005. Collections - Public & Corporate: Boston Public Library, Boston, MA DeCordova Museum, Lincoln, MA Sanofi Avantis, Switzerland Print...

Beautiful original post impressionist painting on isorel (board) depicting a Provençal landscape with a river in the forefront. Very vivid colors just like the scenery in the Provenc...

Beautiful original painting on isorel (board) depicting a typical Provençal landscape with its olive tree and hills. Very vivid colors just like the scenery in the region in spring a...

An abstract painting with mixt technique by Marcel Poulet. Perfect original conditions. Signed and dated at the base "Marcel Poulet, 2000". Unique piece.

American intra-war artist and illustrator Porter Woodruff (1894-1959). Arabian Horse scene, oil and gold leaf on board with chalky gouache. Signed Woodruff on lower right of painting. Signature somewhat obscured by frame. His Art Deco-influenced paintings are highly decorative and appealing, the compositions complex and well-thought out. The gold leaf background is decorative and elegant. His are rare Modernist paintings by an artist who found himself at the very heart of design, fashion and celebrity life in the early part of the century. Label at back for Pitt & Scott Ltd London - well known for its expertise in handling antiques, works of art and fragile artefacts. Dimensions: 11.5"h x 15.5"w (sight) 12.5"h x 17.5"w (frame) Porter Woodruff, was an illustrator artist and contributor to Vogue Magazine and Home & Garden (including covers for both). He was one of five artists stationed in Paris in 1923 for Vogue. Woodruff spent considerable time in Tunisia, North Africa, residing with his romantic partner, Romanian socialite George Sebastian. Sebastian owned a lavish, coastal property in then-trendy Hammamet, near Tunis on the Mediterranean. Sebastian fell in love with the simple beauty of the quiet fishing port of Hammamet and was the first of the international set of the times to build his villa there. He started a trend that has never ceased. Frank Lloyd Wright is said to have claimed Dar Sebastian to be ”the most beautiful house I have ever seen”. American and European intelligentsia and upper-crust were attracted to the area between the wars. The artists Cocteau, Elsa Schiaparelli, Paul Klee, Andre Gide, the Sitwells, and Cecil Beaton enjoyed visiting, partying, and undertaking what someone once described as indulging the opportunity to do 'some rather elaborate sinning'. Other visitors included Art Deco designer Jean-Michel Frank, Wallis Simpson, Somerset Maugham, and Greta Garbo, among others. The onset of war disrupted this scene and it never truly regained its former glory. Dar Sebastian was requisitioned by the 'Desert Fox', German General, Field Marshal Erwin Rommel...

Abstract painting on masonite by Alwy Visschedyk, 2020.

Untitled abstract painting by Adja Yunkers. Collage with acrylic, signed and dated 1969.