Tiffany Studios New York “Jonquil-Daffodil” Tiffany Lamp

This delicately sized Tiffany Studios New York “Damascene” lamp is superbly colored in blood-orange and gold. Trails of blood orange glass were applied...

Tiffany’s “Peony” table lamp was a work grounded in naturalism but reaching for the divine. With a shade of resplendent blooms and a mosaic base evoking the hallowed ground of church floors, Tiffany’s peony lamp demonstrates his foundation in both Art nouveau and ecclesiastical art. To depict his multi-hued bouquet, Tiffany depicted two different cultivars, a Greek peony, and a Japanese peony. Tiffany used burgundy glass streaked with lapis to express the richness of the Greek Peony. Favored by neoclassical artists for their symmetry and simplicity, Tiffany featured the bloom in the architecture of his country estate. To represent the candy-striped Japanese peony Shima Nishiki, Tiffany used cream glass streaked with fuschia. The shade elegantly depicts different stages of growth from the bud, first bloom, peak bloom, to wilting. When peony petals wilt, their veins darken, and their form puckers. Tiffany’s glass selectors chose a stone textured glass called granite glass to express the wilting of the petals and their pronounced venation. The background and border of the shade is a golden amber, streaked with magenta and blue. The top-down perspective of the peony with a dirt background was a type of painting called “Rasenstück”, a detailed study of a piece of turf. The crux of the Rasenstück was the elevation of the humble. Popularized in the nineteenth century by the American Pre-Raphaelites, the movement believed in the idea of "truth to nature". The principle encouraged painters to capture the natural world as truthfully as possible, not romanticizing what they saw. In these nature studies, painters depicted flowers and trees in the soil from which they grew. While sublime on its own, the shade and base taken together paint a picture of Tiffany’s Japanese garden. Peonies imported from the far east bordered serene ponds. A frieze of turtleback tiles hypnotizes the viewers with its scarlet glow, evoking the red flash of a sunset, as seen through a field of cattails, rendered in bronze. Below it, the row of cat tails blends into a mosaic of red, yellow, and green glass. While Tiffany’s chief designer Clara Driscoll is most famous for her naturalistic lamp designs, the bread and butter of Tiffany Studios was its ecclesiastical department. Red, yellow, and green colorways were widely used in the depiction of Baroque angels, whose wings were modeled after birds of paradise. As hunters removed their legs upon sale, many believed they neither ate nor drank, and instead floated ethereally like angels. A lamp such as this epitomizes Tiffany’s understanding of his artistic vision in the context of the entire history of artistic expression. Since falling in love with glass at age twelve in the cathedrals of Chartres, light itself became a representation of divinity. A contemporary critic described Tiffany’s mosaics...

This remarkable Tiffany Studios New York "Wisteria" table lamp is a very fine and unusually rare lamp, composed of a palette of wisteria blossoms in shades of blue, green, cream and white that cascade down the shade to an irregular border. The blossoms are surrounded by abundant leaves in varying shades of green and are delicately interspersed with "confetti" glass, lending them added three-dimensionality. The shade has a latticework top, portraying the branches and stems of a wisteria vine. The base, designed specifically to hold the shade, is also embellished with vegetal, vine-like properties. Product Details: Item #: L-20375 Artist: Tiffany Studios New York Country: United States Circa: 1902 Dimensions: 18.5" diameter, 27" height Materials: Leaded glass, Bronze Shade Signed: Interior of shade crown impressed 1073 and 13; underside of shade mounting post impressed 1073 and 13 Base Signed: ''Tiffany Studios New York 1073"; top of tree trunk column impressed 13 Literature: Robert Koch, Louis C. Tiffany: Rebel in Glass, New York, 1964, pl. v Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, pp. 215-220 Alastair Duncan, Tiffany At Auction, New York, 1981, pp. 89, no. 238 and 148, no. 391 William Feldstein, Jr. and Alastair Duncan, The Lamps of Tiffany Studios, New York, 1983, p. 37 Robert Koch, Louis C. Tiffany's Glass, Bronzes, Lamps: A Complete Collector's Guide, New York, 1989, p. 131 Robert Koch, Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA, 2001, pp. 74, 242 and 284 Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection, Woodbridge, Suffolk, 2004, pp. 292-293 Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland and Lars Rachen, The Lamps of Louis Comfort Tiffany, New York, 2005, p. 107 Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, p. 67, no. 254 Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany: Clara Driscoll and the Tiffany Girls...

This Tiffany Studios New York "Jeweled Geometric" leaded glass and bronze table lamp features an enticing shade, comprised primarily of gradient-hued green glass in a geometric arrangement. This lovely pattern is interrupted by thick band of bronze openwork in a vegetal pattern, beautifully adorned with iridescent glass beads of various colors, imitating the appearance of beautiful cabochon jewels. The shade sits atop a patinated bronze telescoping "Ball" base. The finial cap is adorned by a glass bead. Artist: Tiffany Studios New York Circa: 1910 Dimensions: 22.5" diameter, 30.25" height Materials: Leaded glass, bronze Shade Signed: ''Tiffany Studios New York'' Base Signed: ''Tiffany Studios New York 10922'' Literature: Table lamp pictured in The Lamps of Tiffany...

This Tiffany Studios New York "Lighthouse" desk lamp features a bell-shaped iridescent green Favrile “Damascene” shade, suspended from a two-posted patinated bronze swing-top base, f...

The "Belted Turtleback" table lamp by Tiffany Studios New York is a refined study in monochromatic expression. Separated into three distinct tiers, the conical lamp shade offers a ma...

‘Daffodil’ table lamp by Tiffany Studios American, c. 1910 Height 56cm, diameter 40cm Designed and hand-made by the artisans from the renowned Tiffany Studios (1902-1932), this ‘Daf...

Tiffany Studios bronze desk lamp with original iridescent shade, scrolled bulbous harp, and terminating on circular fluted base with the original circ...

An outstanding Arts & Crafts or Art Deco period harp desk lamp By Tiffany Studios New York, USA, Early 20th century Gilt bronze, with beautiful...

Two bell shaped art glass signed iridescent shades are supported by an adjustable bronze two arm base with bell sockets. The twin paddle knob sockets are stamped GE CO. The base is s...

A highly important monumental American Arts & Crafts landscape window, attributed to Tiffany & Co, New York, Circa 1910. The window having a border with textured gold tone tiles, the background is composed of variegated blue glass, with a mountain range made of variegated dark brown glass. To the center is a fairytale castle with a body of blue water to the background. The castle having a pathway of textured glass and walls of golden colored glass tiles. The landscape is framed out with a pair of ivory colored columns festooned with trailing ivy. The panel is housed is a substantial wooden frame. Condition is very good, there are no cracked tiles, there are a few tiles that have been historically lead lined, the panel is in very good condition indeed. Whilst we have not located a Tiffany signature...

This vintage early 20th century patinated bronze table lamp is beautifully designed with an art glass linenfold shade. The barrel shape paneled shade features golden amber color favr...