Spectacular and Rare Harry Bertoia "Dandelion"

Bertoia's Dandelion form is widely regarded to be the apex of his career. An overwhelming physical presence is balanced by its truly delicate nature. A gilt bronze central sphere is ...

"Untitled" (Bush) Sculpture by Harry Bertoia, circa 1970's made of welded bronze. Harry Bertoia, was an Italian-born American artist, sound art sculptor, an...

Harry Bertoia, Monumental Sonambient Sculpture, USA, circa 1970's. Inconel on brass plate, comprised of 49 rods in a 7 x 7 layout with cattails, unmarked. Measures H: 81, W: 16, D: 1...

An atypical form for Beartoia's (1915-1978) sonambients given it's split in the centre of the rods. A desirable size for display in the home and a typically wonderful sound quality.

A sonambient rods sculpture by Harry Bertoia (1915-1978). A desirable size for display in the home and a typically wonderful sound quality.

Wire sculpture on pedestal by Harry Bertoia (1915-1978), circa 1950's. Overall dimensions including pedstal: 79.5"H x 16.25"W x 16.5"D Wire sculpture dimensions: Approx. 38"H x 17"...

American Mid-century artist Harry Bertoia would spend his daylight hours working on the monumental public projects for which he is so well known. In the evenings though, after dinner...

American Mid-century artist Harry Bertoia would spend his daylight hours working on the monumental public projects for which he is so well known. In the evenings though, after dinner...

Rare patinated bronze bush form, circa 1970 Provenance: Mangel Gallery, Philadelphia, PA, 1970s; Descended in the family.

Provenance: Wright Modernist 20th Century, auction 12/7/2003, Bertoia worked with the Eames' in California in the late 1940s to develop their wire form chairs. His involvement led...

A unique bronze sculpture circa 1960s by Harry Bertoia (1915-1978), the celebrated Italian-born American artist, sculptor, and designer. The welded and patinated bronze sculpture is ...

An extremely rare Harry Bertoia sterling silver brooch "Ginko Leaves." The brooch has been added to the Harry Bertoia Catalogue Raisonné and assigned the following catalogue raisonné number: D.JE.77. This piece comes from a private collection. Provenance will accompany the piece. The Brooch measures: 2.94 " long x 1.5 " wide x .30 " deep. Although associated with Mid-Century Modern furniture, Harry Bertoia was originally a jewelry designer who used both sterling silver, precious stones and gem stones. The brooch and closure are all handcrafted and the clasp is his unique design. The following is from Beverly H. Twitchell, PhD, author of Bertoia: The Metalworker, London: Phaidon, 2019. She provides a very informative critique of Bertoia and his jewelry. Wearable Art an Important Design for a Necklace “Before Harry Bertoia enrolled at the Cranbrook Academy of Art in 1937 he had already mastered traditional jewelers’ techniques, but his engagement with Modernism led him to invent and use more direct methods. Instead of precious metals and gems, Bertoia made jewelry that appealed through its design, craftsmanship and the nature of its materials. That approach would make Bertoia a direct predecessor of the American Studio Crafts movement. So complex and cumulative are human perception and memory that we often do not know from where our own ideas come and without firm evidence, it is impossible to think we can establish the origins of an artist’s ideas. While his jewelry is entirely modern, chokers with multiple small pendants had come from ancient Mediterranean cultures: Mesopotamia, Egypt, Greece and Italy, even from Europe and America at the turn of the last century. Did Bertoia see works in books, journals or at the Detroit Institute of Arts that resonated with him or did he invent this on his own, as he would so many other forms? Bertoia found inspiration in nature from an early age on a small farm in Italy and later in Cranbrook’s woods, on the beaches of southern California and in the fields near his home in eastern Pennsylvania where he lived after 1950. The fluidity and motion of the his jewelry characterize much of his art. In that spirit, too, he made jewelry that suited human anatomy and was animated by its wearer’s movement. Bertoia had the instincts of an engineer, as the intricacy of the present lot’s clasp and overall construction of the jewelry demonstrates. Large jewelry by Bertoia is very rare. A delight to the eye, and like all of Bertoia’s work it is timeless.” Harry Bertoia (1915 – 1978) was an Italian-born American artist, jewelry creator and modern furniture designer. He was born in San Lorenzo d-Arzene, Pordenone, Italy. At age 15 he moved to Detroit, Michigan to live with his older brother, Oreste. He quickly learned English and the bus schedule and enrolled in Cass Tech High School in Detroit (1930-1936) where he studied art and design and learned the skill of handmade jewelry making. At that time, there were three jewelry and metals teachers Louise...