Furniture

Cast bronze prancing greyhound by Pierre Jules Mene, (1810-1879). The highly detailed bronze rests on a back granite base. Impressed signature, PJ Mene. No foundry mark, but this was...

Offering One Of Our Recent Palm Beach Estate Fine Art Acquisitions Of A Signed Original WESNER PIERRE-LOUIS (Haitian 1948-) Oil Painting of Cock Fight Wesner Pierre-Louis was bor...

A spectacular three tiered suede and brass shelving unit. Wrapped brown suede (Nubuck?) shelves with brass caps and rings. Circa 1975. This Post-Mo...

Geometric landscape by Helen Gerardia. Signed lower right, Gerardia. Circa 1950-60. Good overall condition with some surface paint scuffs and losses. Ov...

Jacques Callot 1592 - 1635, French book by Paulette Choné, 1992. This important book was published after the Jacques Callot exhibition presented at the Lorraine Historical Museum in ...

Rare and important pair of Raoul Guys 'Antony' chairs designed in 1954 for the world famous 'Cite' university's 'Jean Zay / Antony' residence 'in Paris . This stunning design was produced concurrently by 'Airborne' in France and 'Trefac' in Belgium (on official license) ' Beautiful sculptural form design with enameled steel rod frame and thermoformed plywood seat and backrests .both chairs are finished in their original faux leather fabric. A rare opportunity to acquire a pair complete with original upholstery, We can recover the chairs should we receive a request to do so. This pair were produced by 'Trefac' in Belgium , we found a 'Trefac' manufacturer's catalog dated 1957 which illustrates this model (please see image 6). 'Trefac' produced these chairs for the Belgian market under license from 'Airborne',France. The 'Jean Zay/ Antony' university residence was designed by the French architect Eugene Beaudoin and built in 1954. The interior furniture and lighting for the “Antony” residence was designed by the most influential of the group of “new” French designers , key figures such as Jean Prouve , Charlotte Perriand and Serge Mouille . Several of the chairs chosen for the ”Antony” building in Paris were designed by Raoul Guys including this design and his famous sculptural form wicker and steel lounge chair, please refer to images 2 and 3. These chairs were commissioned by the French government ,through the guidance of master French Sculptor and archtect , Andre Bloc, who greatly admired Guys' sculptural yet practical designs. Bloc was also involved in selecting furniture for the 'Cite' university's 'Maison Bresil' and 'Maison Mexique' university buildings in 1953 again furnished with designs by Jean Prouve , Charlotte Perriand and Serge Mouille among others. Bloc also advised 'Air France' to select Guys' 'oro' series of designs finished in bent steel and wicker for use in their 48 airports across the African continent ,they were famously used in the 'Brazzaville' complex of hotels and the Hotel N'Gor in Dakar again alongside furniture designed by Jean Prouve and Charlotte Perriand again selected by Andre Bloc. Please refer to the the last two images where you can see our collection of chairs that Raoul Guys designed for the 'Anthony' building in Paris and Air France's 'Brazzaville' complex and HotelT N'Gor in Dakar . Charles Bernard founded his company 'Airborne' in order to bring modern design to the population of France. Bernard asked his close friend and famous sculptor and architect Andre Bloc to seek out talented young designers who could produce furniture with an artistic or sculptural quality. Bloc was already working in this field with the “group espace” who saw art and sculpture as a social phenomena and aimed to bring art into the everyday living experience . For example it was Bloc who commissioned Charlotte Perriand to produce the famous 'Mexico' and 'Tunisie' bookcases for the Cité Internationale Universitaire , Paris for which Bloc also produced the colour scheme and he also worked closely with the Steph Simon gallery in Paris famous for showcasing the work of Prouve,Perriand and Noguchi among others. . Bloc had at this time recently come across a young designer Raoul Guys who’s work he greatly admired and which offered a sculptural quality to furniture design and asked him if he would like to collaborate with Airborne . In the book “les decorateurs des Annees 50” by Patrick Favardin it mentions that Andre Bloc presented Raoul Guys as a very interesting creator. Guy’s chairs had a suprising and sculptural quality in the free spirit of the after war period. LITERATURE: 'Airborne i945-75' ,page 35...

A fine mythological etching by the great Italian engraver Antonio Tempesta (Florence, 1555 – Rome, 5 August 1630) printed by François L'Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647),also called F. L. D. Ciartres (" Francois Langlois from Chartres"). Beautiful sheet , very sharp . The dimensions below are inclusive of the frame, the print without the frame measures 27x19 cm Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-Maniera" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Tempesta and the Flemish painter Matthijs Bril were commissioned by Pope Gregory XIII to paint wide panoramas of the Procession to Transfer the Relics of St. Gregory of Nazianzus (1572) for the loggias on the third floor of the Vatican Palace. He completed frescoes in the Palazzina Gambara at the Villa Lante in Bagnaia (1578-1609). From 1579–83, Tempesta participated in the decoration of the Villa Farnese in Caprarola, notably of this villa's Scala Regia. He is also known to have collaborated on frescoes in the Villa d'Este at Tivoli and the Palazzina Gamara at Villa Lante, Bagnaia. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. Tempesta painted frescoes for the Palazzos Colonna, the Doria Pamphilj, and for the Marchese Giustiniani in his Roman palace, where Tempesta collaborated with Paul Bril, and at Bassano di Sutri. He painted a Massacre of the Innocents for the church of Santo Stefano Rotondo in Rome. Tempesta is now best known as a printmaker in etching and engraving. He also left numerous etchings, among them: Plates from the Old Testament; twenty-four plates from the Life of St. Anthony; a set of 150 prints from Ovid’s Metamorphoses; 13 plates on The Labours of Hercules and four plates on respectively The ages of man; The entry of Alexander into Babylon; Diana and Actaon, and The crucifixion (1612). In 1612 he engraved a series of plates under the title "Batavorum cum Romanis Bellum" after designs of the Netherlandish artist Otto van Veen, also known as Vaenius (1556-1629) and court painter to Alessandro Farnese. Van Veen was influenced by the Italian mannerists but had developed his own style anticipating the Flemish baroque of his pupil Peter Paul Rubens. The series consists of 36 numbered engraved plates and illustrates the armed struggle between the ancient Dutch tribes and their Roman oppressors as narrated in Tacitus' Histories. Each plate bears at the bottom an engraved legend in Flemish and in Latin while a detailed explanation is printed on the otherwise blank verso. Plate I, signed 'Ant.Tempesta f. Anno 1611', shows 'Roma' and 'Batavia' in battle dress with respective scenic backgrounds, symbolizing the two nations. Fifteen other plates bear Tempesta's monogram. The plates depict heroic events, sieges, and battle scenes. This historicist work was very popular in its time. Tempesta also drew many designs for tapestries. François L’Anglois or Langlois (12 May 1589 (baptised) – 13 January 1647), also called F. L. D. Ciartres ("François Langlois from Chartres"), was a French print publisher, print seller, engraver, bookseller, art dealer, and painter. He is widely considered to have been the first important print publisher in France and to have contributed significantly to spreading awareness of contemporary artists' work throughout Europe. François L’Anglois was born in Chartres and baptised there on 12 May 1589. He visited Italy on several occasions: Rome in 1613 and 1614 and Genoa, Florence, and Rome again in 1621. On these trips he met Anthony van Dyck and Claude Vignon, who both painted his portrait. He also became acquainted with the engravers Stefano della Bella and François Collignon. It was probably around this time that he acquired the nickname of Chartres (Ciartres in Italian). In 1624–1625 he was associated with Vignon as an art dealer (paintings) and acted as a print collector for Thomas Howard, 14th Earl of Arundel, and Charles I of England...